Advice

City hall’s new secrets

0

EDITORIAL Back in 1999 reporter Scott Rosenberg dug up a juicy little scoop for Salon: he found out that part of Microsoft’s annual report was written on an Apple computer. That caused the giant purveyor of Windows software (and Apple competitor) no small amount of embarrassment. And Rosenberg did this without any secret source or leaked records; he just looked at the metadata embedded in the files of public company documents.
Metadata is part of the new frontier of public-records law. It’s the stuff you can’t see that’s hidden in digital versions of, say, Microsoft Word documents. It shows what computer (and type of computer) created the document and often shows the revisions the document has gone through. It’s sort of an electronic history of what used to be something typed on paper — and as such, it’s extremely useful to researchers who want to follow what the government is doing.
It’s also, all too often, something that public officials want to hide. That’s the case in San Francisco, where Gloria Young, the clerk of the Board of Supervisors, has refused to release copies of the original Word versions of what are clearly public records. She wouldn’t, for example, give out a Word copy of the city’s Sunshine Ordinance.
That’s a mistake — and the Board of Supervisors needs to direct Young to change her policy.
Young isn’t refusing to release the records per se — she’s had them made into PDFs, the electronic equivalent of photocopies that don’t contain the embedded data. And she’s released those versions. The office of City Attorney Dennis Herrera concluded Sept. 19 that city officials have the right to withhold metadata and provide documents only in PDF format. The argument, contained in a six-page memo, goes more or less like this:
A Word version of a document can be edited and changed — and thus someone who requests a public record might alter it and then pass it off as a true version.
Besides, metadata might possibly contain privileged information (legal advice from an attorney). It might include early drafts of a document (which are exempt from disclosure but really shouldn’t be). And it might give somebody with evil intent the ability to hack into the city’s computer system and do a lot of damage.
In the end, deputy city attorney Paul Zarefsky argues, figuring out where there is and isn’t metadata and what it might include is a huge job that requires special skills and would be inordinately burdensome for city agencies.
The first argument is just silly. Sure, somebody could take a copy of a city record and alter it — but enterprising scammers have always been able to take real records and turn them into phonies. That’s why the city keeps the originals on file and releases only copies.
The rest of Zarefsky’s analysis is a bit more complex. But in the end the posture of the city is far too defensive. This is, after all, data that was produced by city employees on the taxpayers’ dime. And like just about everything else the city produces — with only narrow exceptions — it ought to be released to the public.
We don’t buy the argument that there are vast stores of deep secrets lurking in the metadata that might somehow damage the city’s interests. There may be a few specific cases in which documents have been reviewed by the City Attorney’s Office and might include confidential advice. But most of the material will simply show who created the document, how it was edited (and by whom), and how all of that relates to the final product. Like the Microsoft revelation, some of that might embarrass city hall — but that’s not an excuse to keep it secret.
Tom Newton, general counsel for the California Newspaper Publishers Association, noted in a Sept. 22 letter to the Sunshine Ordinance Task Force that the “CNPA is aware of no other state or local agency that has adopted this restrictive policy.”
Herrera’s office, interestingly, isn’t arguing that all metadata must be secret — the opinion only says that department employees have the ability to withhold it if they want to. That’s where the supervisors need to weigh in.
Young asked the Rules Committee on Nov. 2 for policy direction on the matter. The committee heard testimony and took the matter under advisement.
The chair, Sup. Ross Mirkarimi, should bring up the issue again at the next possible meeting, and the committee should direct Young — and all other city officials — to stop using metadata as an excuse to withhold documents. San Francisco ought to be taking the lead here and setting a policy precedent for cities across the state. SFBG
PS This is just one example of what seems to be a renewed war on sunshine at City Hall. The task force just had its budget cut and no longer has a full-time staffer assigned to it (although the Sunshine Ordinance mandates full-time staff assistance). The supervisors should make it clear that San Francisco isn’t going to slide backward into the old, dark days.

Bollywood dreams

0

› news@sfbg.com
It was the proverbial phone call every aspiring actor waits for. An agent for a TV producer rang Raj Vasudeva in 2003 to say he would be perfect for a role in a new show that needed a dynamic lead.
Vasudeva, 33, eagerly invited the agent over to view his modeling portfolio and acting tapes. The agent flipped through a book that featured shots of the former Mr. India California crawling through the surf seductively with a dress shirt fluttering open. The agent said he was impressed. Vasudeva thought he had the role, but then the real audition began.
“‘Can I be blunt with you?’” Vasudeva recalled the agent saying. “‘Are you ready to get your ass fucked by men and older women?’”
Vasudeva laughed at the sleazy suggestion and said no. The interview ended abruptly, and the agent tossed the following advice at Vasudeva as he left the meeting in Mumbai, formerly known as Bombay: “If you’re coming to Bollywood, you have to be shameless.”
Welcome to Bollywood, or as they say in India, Bollywood mein aap kaa swaagat ho. Vasudeva, who was born in Delhi but spent much of his life in San Francisco, is trying to accomplish something no US resident has ever done: become a top star in the world’s largest film industry.
For anyone still not familiar with Bollywood, it’s entertainment on a scale that can make your average Hollywood production look like Saved by the Bell. The films are a brawling mix of Broadway-style song and dance, bling that rivals a 50 Cent video, and dizzying scene changes across two or even three continents. The pictures often mash up elements of drama, comedy, and action into a single bursting-at-the-seams melodrama that can last more than three hours.
Bollywood has grown increasingly popular in the United States over the last five years. While it was a lackluster summer for many of Hollywood’s big summer releases, Kabhi Alvida Naa Kehna (Never Say Goodbye) grossed $1.4 million in US theaters during its opening weekend in August — the best showing ever by a Bollywood movie in this country. The film shows Nov. 11 at 8:15 p.m. in the Castro Theatre as part of the San Francisco International South Asian Film Festival (www.thirdi.org/festival).
Vasudeva’s transformation into an aspiring actor might work nicely as a plot for a Bollywood film. Vasudeva came to the States in 1990 to attend college. He graduated with a degree in industrial management and seemed to be headed down the path to a respectable, if somewhat unfulfilling, white-collar future.
His acting career began as little more than a hobby in 1997. He began taking classes at San Francisco’s American Conservatory Theater. Later, he took a job in sales at Oracle in Redwood City. His friend Paul Chopra recalled Vasudeva renting a bunch of Bollywood films and then practicing lines from them in between fielding service calls to Oracle from India in the dead of the night.
He graduated to theater and film productions at the San Francisco Academy of Art, which was followed by his first feature film, Indian Fish. It traces the journey of an Indian software engineer as he makes his way through unfamiliar American culture. Vasudeva, who is tall and has boyish good looks, burnished his résumé by snagging the title of Mr. India California in 2002 on the strength of a performance of a monologue from a Bollywood film.
Vasudeva then starred in Khwaab, the story of another Indian immigrant who gives up a career in the tech world — against the wishes of his parents and friends — to pursue an acting career. Vasudeva declined to discuss whether the movie parallels his own struggles, but the similarities are striking. He said his parents were initially upset about his career choice but eventually came around.
With some solid acting experience to his name, Vasudeva decided to make the leap to Bollywood in 2004. He packed up his San Francisco apartment and moved to Mumbai. It was a shock for him.
Vasudeva found the Mumbai film industry was more freewheeling than the one in the United States. Contracts are often nonexistent; producers hit him up for money to complete films and sometimes bounce his paychecks. Then there are the thickets of “secretaries” — movie agents who serve as intermediaries for actors looking to land roles.
“There are secretaries that will squeeze every penny from you,” Vasudeva said.
Occasionally, the action off the screen seems as dramatic as that on it. The Indian underworld has been accused of threatening — and even killing — actors who won’t pay it protection money or act in its films.
It hasn’t been easy, but Vasudeva managed to get his first break by placing in the top 10 in another contest, called Grasim Mr. India, which was broadcast nationally in India. He compared the contest to Bravo’s short-lived Manhunt USA, which pitted aspiring models against each other to win a contract with an agency. A publicity photo for Grasim Mr. India shows Vasudeva was right on the mark. It features him and a stageful of hunky guys decked out in mesh shirts. (Unfortunately, mesh shirts seem to be a staple fashion for male actors in Bollywood.)
Vasudeva’s showing in the event prompted the interview with the sleazy talent agent. He has since landed a role in Kaho na Kaho, a Bollywood remake of Notting Hill. (Bollywood often liberally borrows from American films and music because, for the most part, artists in the West have not paid much attention to Bollywood, although this is coming to an end.) And he’s starred in a remake that would seem an unlikely choice for Bollywood’s romance- and family-centered cinema, The Ring. The movie is called Second Day. Both Kaho na Kaho and Second Day have yet to be released.
Lisa Tsering, who has covered Bollywood for the newspaper India West for 10 years, said Vasudeva’s chances of making it in Bollywood are “not too good.” And it has little to do with his talent.
“I think that NRIs [nonresident Indians] don’t have a certain quality they are looking for in India,” Tsering said. “They feel NRIs are too complacent and too well fed. They’re not hungry enough.”
An American has yet to crack Bollywood’s A-list, although Canadian-born actress Lisa Ray (who starred in Deepa Mehta’s Bollywood/Hollywood and Water) has generated buzz recently. Tsering said non-Indians are also at a disadvantage because many don’t have the family connections that are so important to making it in Bollywood. Unlike in Hollywood, where actors often try to obscure their family connections by changing their name (think Angelina Jolie and her father, Jon Voight), blatant nepotism is part of the game in Bollywood. It is so pervasive it has become a running joke among Indian film fans, who often complain about the latest pudgy, bad-haired, leaden-acting relation who is foisted on them. Vasudeva may be able to capitalize on this nepotistic trend: he is related to Gauri Khan, an actress and the wife of megastar Shah Rukh Khan, star of Never Say Goodbye. (Vasudeva said he doesn’t trade on his family connections.)
Vasudeva’s current role could be his most challenging yet. In the psychological thriller tentatively titled Boomerang he plays three separate characters. The movie is based on the story of a famous London crime novelist who returns to his ancestral home in India to write a novel. The novelist, played by Vasudeva, soon realizes that someone has followed him there. Drama ensues.
Vasudeva’s choice to pursue a career in Bollywood instead of in the States says as much about Hollywood as it does about the Indian film industry. Despite the exasperations of Bollywood, he’s happy with the choice and doesn’t plan to return to this country anytime soon.
“I didn’t want to spend my career playing a cab driver,” Vasudeva quipped about the limited roles for Indians in Hollywood. SFBG

Josh Wolf meets Eminem meets Nelson Mandela

0

By Sarah Phelan
Got a letter from jailed videographer/blogger Josh Wolf, saying he remains hopeful. Here are 3 reasons why.
1. Legendary lawyer Martin Garbus has joined Wolf’s team as Lead Attorney. That puts Wolf in the company of Eminem, Nelson Mandela, Daniel Ellsberg, Amy Tan, Al Pacino, Spike Lee, Sean Connery, Robert Redford and Michael Moore, to name a few of Garbus’ high profile clients. Garbus is also working on the case of the two SF Chronicle reporters, Lance Williams and Mark Fainaru-Wade, who face possible jail time for refusing to name the source who revealed transcripts from a grand jury investigating Barry Bonds and steroid use in organized sports.
2. Josh’s attorney’s have filed an appeal in the 9th Circuit, refuting that panel’s decision that the court doesn’t have the power to create a common-law privilege, claiming that this ruling contradicts a previous decision, the Jaffee case, which established a privilege for psychotherapists in the case of a police officer who had gone into therapy following a disputed shooting.
3. Justice Sandra Day O’Connor is going to do some cases in the 9th.

Wolf’s advice to San Franciscans? “Keep talking, refuse to be silenced.”
His advice to San Francisco? ”Cut all fiscal ties with the federal government. It’s a radical approach, but it has value beyond protecting journalists—it spares the city from the vice-like grip of No Child Left Behind, for example.”

Dan West’s top five horror films

0

1. Shriek of the Mutilated (1974) Not only the greatest title in cinema history but also its single greatest achievement. Never before (or since) have bad acting, cannibalism, alcoholism, and the Abominable Snowman scaled such heights. The greatest film ever made.
2. The Wizard of Gore (1970) Director Herschell Gordon Lewis (Blood Feast) does it again, becoming the first filmmaker in history to slaughter someone on camera with a live chain saw. A mad magician runs amok with ghastly results. If the crude and relentless gore effects don’t turn your stomach, the “acting” certainly will.
3. Straight Jacket (1963) High camp is the order of the day as convicted ax murderer Joan Crawford returns home after a lengthy stay in the loony bin, only to seemingly resume her old habits. Hilarity ensues in this William Castle–directed classic. Crawford really sells it. This is the stuff of which drag queens are made!
4. King Kong Lives (1986) Quite possibly one of the most misguided, unintentionally hilarious, idiotically optimistic sequels ever made, this follow-up to the Dino de Laurentiis–produced remake of King Kong boasts a plethora of delights for the bad movie enthusiast. Kong, after falling to his supposed death from the heights of the World Trade Center, is retrofitted with a giant artificial heart during a Monty Python–like opening sequence. It is a film that has to be seen to be believed. Several bong hits might help.
5. The Car (1977) Never has vehicular manslaughter been so much fun! The screenplay boasts “technical advice” from Church of Satan founder Anton LaVey. SFBG
San Francisco filmmaker Dan West codirected Monsturd and the forthcoming RetarDEAD.

Oh TV, up yours!

0

› johnny@sfbg.com
Dick Cheney surveys the teeming white crowds at the 2004 Republican National Convention. With their Cheney Rocks! placards and stars-and-stripes Styrofoam hats, these people worship him, but he still looks like he wants to spray them with buckshot. “You’re all a bunch of fucking assholes!” he sneers. “You know why? You need people like me — so you can point your fucking fingers and say, ‘That’s the bad guy.’”
OK, maybe Cheney didn’t use those exact words in his convention speech, but we all know he was thinking them, so bless Bryan Boyce’s short video America’s Biggest Dick for making the vice president really speak his mind — in this case, via Al Pacino’s dialogue in Scarface. The title fits: Boyce’s two-minute movie exposes the gangster mentality of Cheney and the rest of the Bush administration, perhaps giving his subject more charisma than he deserves. Ultimately, Cheney gets around to admitting he’s the bad guy — after he’s compared the convention’s hostile New York setting to “a great big pussy waiting to be fucked” and speculated about how much money is required to buy the Supreme Court. “Fuck you! Who put this thing together? Me — that’s who!” he bellows when a graphic exhibition of his oral sex talents receives some boos.
One might think the man behind America’s Biggest Dick might be boisterous and loud, but Boyce — who lives in San Francisco — is in fact soft-spoken and modest, crediting the movie’s “stunt mouth,” Jonathan Crosby (whose teeth and lips Bryce pastes onto Cheney and other political figures), with the idea of using Brian de Palma’s 1983 film. “I knew I wanted extensive profanity, and Scarface more than delivered,” Boyce says during an interview at the Mission District’s Atlas Café. “But I was also amazed at how well the dialogue fit.”
The dialogue fits because Boyce masterfully tweaks found material, particularly footage from television. It’s a skill he’s honed and a skill that motivates the most recent waves of TV manipulation thriving on YouTube, on DVD (in the case of the Toronto-based TV Carnage), and at film festivals and other venues that have the nerve to program work that ignores the property rights of an oppressive dominant culture. “It is, admittedly, crude,” Boyce says of America’s Biggest Dick, which inspired raves and rage when it played the Sundance Film Festival last year. “It’s a crude technique for a crude movie matched to a very crude vice president.” As for the contortions of Crosby’s mouth, which exaggerate Cheney’s own expressions, Boyce has an apt reference at hand: “The twisted mouth to match his twisted soul — he’s got a Richard III thing going on.”
America’s Biggest Dick isn’t Boyce’s only film to mine horror and hilarity from the hellish realms of Fox News. In 30 Seconds of Hate, for example, he uses a “monosyllabic splicing technique” to puppeteer war criminal (and neocon TV expert) Henry Kissinger into saying, “If we kill all the people in the world, there’ll be no more terrorists…. It’s very probable that I will kill you.” All the while, mock Fox News updates scroll across the bottom of the screen. “That footage came from a time when Fox thought that Saddam [Hussein] had been killed,” Boyce explains. “That’s why Kissinger kept using the word kill. Of course, no one says kill like Henry Kissinger.”
In Boyce’s State of the Union, the smiling baby face within a Teletubbies sun is replaced by the grumpier, more addled visage of George W. Bush. Shortly after issuing a delighted giggle, this Bush sun god commences to bomb rabbits that graze amid the show’s hilly Astroturf landscapes — which mysteriously happen to be littered with oil towers. With uncanny prescience, Boyce made the movie in August 2001, inspiring fellow TV tweak peers such as Rich Bott of the duo Animal Charm to compare him to Nostradamus. “Even before Sept. 11, [Bush] was looking into nuclear weapons and bunker busters,” Boyce says. “His drilling in the [Arctic National Wildlife Reserve] led me to use the oil towers.”
Having grown up in the Bay Area and returned here after a college stint in Santa Cruz, Boyce — like other Bay Area artists with an interest in culture jamming — calls upon Negativland (“I thought their whole Escape from Noise album was great”) and Craig Baldwin (“He’s kind of the godfather of cinema here”) as two major inspirations. In fact, both he and Baldwin have shared a fascination with televangelist Robert Tilton, whose bizarre preaching makes him a perfect lab rat on whom to try out editing experiments. “He speaks in tongues so nicely,” Boyce says with a smile. “He’s just so over-the-top and sad and terrible that he lends himself to all the extremes of the [editing] system, such as playing something backwards.”
Boyce believes that the absurdity of “an abrupt jump cut between incongruous things” can “really be beautiful.” And the TV Carnage DVDs put together by Derrick Beckles might illustrate that observation even better than Boyce’s more minimalist tweaking. In just one of hundreds of uproarious moments within TV Carnage’s most recent DVD, the wonderfully titled Sore for Sighted Eyes, a sheet-clad John Ritter stares in abject disbelief at a TV on which Rosie O’Donnell pretends to have Down syndrome. At least two different movie writers at this paper (yours truly included) have shed tears from laughing at this sequence.
“I just picture a conveyer belt, and there are just so many points at which someone could press a big red stop button, but it doesn’t happen,” Beckles says, discussing the source (an Angelica Huston–helmed TV movie called Riding the Bus with My Sister) for the O’Donnell footage. “There’s this untouchable hubris. It blows my mind that people are paid for some of these ideas. Crispin Glover told me that the actors with Down syndrome in [his movie] What Is It? were offended by [the O’Donnell performance], or that they felt uneasy. It is uneasy to see Rosie O’Donnell do a Pee-wee Herman impersonation and think she’s embodying someone with Down syndrome.”
Beckles’s interest in manipuutf8g TV — or as he puts it, “exorcising my own demons” by exorcising television’s — dates back to childhood. But it took several years in the belly of MGM to really fire a desire that has resulted in five DVDs to date. “TV Carnage is my way of screaming,” he says at one point during a phone conversation that proves he’s as funny as his work. Like Boyce and audio contemporaries such as Gregg Gillis of Girl Talk (see “Gregg the Ripper,” page 69), he filters “mounds and mounds and shelves and shelves” of tapes and other material through his computer.
“It’s not so much that I’m always in front of the TV,” Beckles explains. “I’d just say that I have this divining rod for shit. I have these psychic premonitions when I turn on my TV. I have years and years of footage. I pull all of it into my computer and say, ‘Now what?’ Then I take a swig of whiskey and go, ‘You’ve got yourself into it again.'” On Sore for Sighted Eyes this approach results in eye-defying montages dedicated to subjects such as white rapping. (Believe me, you have not lived until you’ve died inside seeing Mike Ditka and the Grabowskis or the Sealy Roll.)
Overall, mind control is TV Carnage’s main theme. One segment within the release Casual Fridays looks at children who act like adults and adults who act like children — two plagues that run rampant on TV. “Kids are like al-Qaeda,” he says. “They’ll shift their plans every day to keep you wondering. [Meanwhile], you can just feel the adults who host teen shows thinking about their mortgage payments: ‘What are kids doing now? Slitting each other’s throats? Great! Let’s do a show about it!’” An infamous “swearing sandwich” sequence within TV Carnage’s When Television Attacks encapsulates Beckles’s worldview. “People who are into self-help — they might as well be taking advice from a sandwich.”
Breaking from the more free-form nature of TV Carnage — which isn’t afraid of running from Richard Simmons to Mao Zedong in a few seconds — Beckles is working within some self-imposed restrictions to make his next project. The presence of rules has some irony, since the project is titled Cop Movie. “I’m taking 101 cop movies and making a full-length feature from them,” he says. “The same script has been used for hundreds and hundreds of cop movies — they just change the characters’ names, using a name that sounds dangerous or slightly evocative of freedom.”
“The reason I’m using 101 movies stems from this ridiculous mathematical aspect I’ve figured out,” he continues. “If I take a certain number of seconds from each movie, it adds up to 66 minutes and 6 seconds, and the whole construct of 666 makes me laugh. I’ve already cut together a part where a guy gets hit by a car, and he goes from being a blond guy to a black guy to a guy with red hair to a guy with a mullet. It flows seamlessly. It’s a real acid trip — and kind of a psychological experiment. After I finish it, I’ll probably just pick out a casket and sleep for a hundred years.”
The encyclopedic aspect of Beckles’s TV Carnage sucks in more recognizable footage such as American Idol’s Scary Mary and a musical number from The Apple. In contrast, the duo who go by the name Animal Charm tend to work with footage that few, if any, people have seen, such as corporate training videos. “Our interest from the beginning has not been to turn to a video we love or have a nostalgic connection to,” says Jim Fetterley, who along with Rich Bott makes up Animal Charm. “We were looking for things that were empty that could be used to create new meanings.”
Those meanings are often hilarious — the new Animal Charm DVD, Golden Digest, includes shorts such as Stuffing (in which a real-life monkey watches animated dolphins juggle a woman back and forth) and Ashley (which turns an infomercial for a Texas woman’s Amway-like beauty business into a bizarre science fiction story). But if reappropriation brings out the political commentator in Boyce and the comedian in Beckles, for Fetterley it’s more of a philosophical matter. Pledging allegiance to contemporaries such as Los Angeles’s TV Sheriff and the Pittsburgh, Pa., collective Paper Rad, he talks about Animal Charm’s videos as “tinctures” he’s used to “deprogram” himself and friends. “Our videos can make an empty boardroom seem like the jungle or something very natural,” he says when asked about his use of National Geographic–type clips and dated-looking office scenes. “In the videos, the animals are like puppets. You could say it’s like animation but on a more concept-based level.”
While Boyce, TV Carnage, and Animal Charm most often work with found material, their cinematic practice — jump-cut editing, for example — is more imaginative and creative than that of many “original” multimillion dollar productions. “We’re not predetermining any space we want to get into,” Fetterley explains, “other than most often that level of disassociation and absurdity where you are almost feeling something like the rush of a drug.” For him, generating this type of “temporary autonomy” is liberating. “With massive paranoia and war going on, it’s so easy to control a lot of people with fear and paranoia. We like to think if we can sit down and show our videos to our friends and others and have a laugh and talk about it seriously, it might help take everyone out of that mind frame.”
Because of the popularity of YouTube and its ability to create a new type of TV celebrity (and also the recent notoriety of musical efforts such as Danger Mouse’s The Grey Album and Girl Talk’s Night Ripper), reappropriation is reaching the mainstream. But even as Animal Charm’s and Boyce’s clips proliferate on the Internet, a veteran such as Fetterley looks upon such developments with a pointedly critical perspective. “There’s a general tendency right now to get excited about things that are unknown or anonymous,” he says. “Accountability is almost more important than appropriation nowadays. All of a sudden, if something is anonymous, it makes people feel very uncomfortable.”
For artists with names, censorship is still very much an issue. Boyce recently found America’s Biggest Dick (along with Glover’s What Is It?) cited during a campaign to withdraw funding from a long-running film festival in Ann Arbor, Mich. But Fetterley sees a troubling larger picture. “Danger Mouse’s Grey Album is a very solid conceptual project — it’s gray,” he notes. “In comparison, if somebody is doing a New York Times article about something current politically or globally, there are red zones and flags that will be brought to others’ attention whether you or I know it or not. Those are things making this moment dangerous, in terms of not being able to be anonymous. With ideas about evidence dissolving and accountability hung up in legalities, it makes the culture around music or aesthetics or youth culture pale in comparison.” SFBG
LAMPOONS AND EYE-TUNES: BRYAN BOYCE’S CULT JAMS AND MUSIC VIDEOS
With launch party for Animal Charm’s Golden Digest DVD
Oct. 7, 8 p.m.
Artists’ Television Access
992 Valencia, SF
$5
(415) 824-3890
www.othercinema.com
www.tvcarnage.com
www.animalcharm.com
For complete interviews with Derrick Beckles of TV Carnage, Bryan Boyce, and Jim Fetterley of Animal Charm, go to Pixel Vision at www.sfbg.com/blogs/pixel_vision.

T. Rowe Price: how to annoy the hell out of a good customer, Part 3

0

Repeating once again for even more emphasis: “Investment management excellence, world class service and guidance” (Positioning line at the top of the T. Rowe Price website)

By Bruce B. Brugmann (B3)

Five days after putting my pointed questions to a voice mail at the T. Rowe Price headquarters in Baltimore as to why the company was calling my wife an excessive trader of mutual funds, I got a call back from Ben Scherer, from the risk management team of T. Rowe Price Financial Institution Services, as he is called.

He was an affable chap with the air of a seasoned flak catcher out of Tom Wolfe’s short story on mau-mauing the flakcatcher. He apologized for the troubles, and said that the person I had been calling at Price (on my own dime) had left the company three weeks before and that it was the fault of Charles Schwab for giving me her name and not giving me the Price 800 toll free number for answering questions and complaints. (I didn’t even ask why, if she were indeed gone, that there was not a message on her answering machine explaining that she was gone and who to call in her stead. I made five calls to her number.)

I asked Scherer why Price had told my wife, via a telephone call from a Schwab customer rep, that she (and I) could no longer invest in any Price funds because she had violated Price trading policy (unbeknownst to us) by selling a Price fund (quite modest) in her IRA account (quite modest) because Price had a six month hold on trading its funds. My wife had bought her Price fund in July and sold it in September, on advice of our financial advisory newsletter, and Schwab had not advised us of any hold policy. (The Schwab rep told me that Price is one of only a very few fund families that impose such penalties and restrictions and that this restrictive policy is difficult for Schwab to deal with. He said Schwab was working on a pop-up to let investors know of such restrictions, but it was not yet up and running.)

Where, I asked Scherer, did Price notify its customers of its penalties and restrictions? He said it was in the fund prospectus and could be viewed or pulled down from the Price website. He e-mailed to me under the ominous head “Excessive Trading Policy” a copy of the fund prospectus. And there it was, buried deep in the prospectus under the title “excessive trading policy,” a line that said “persons believed to be short-term traders may be barred for 90 calendar days or permanently from further purchases of Price funds…”

Let’s have a show of hands: how many investors would turn cryptographer and plow headlong into a prospectus to ferret out this nugget of legalese before investing? Let’s have another show of hands: how many small investors, poring through a prospectus and running into the clunky head “Excessive Trading Policy,” would stop and think it applied to them and try to figure out that it meant expulsion and banishment? Further: Price policy says “may” and so Price has the discretion of barring or not barring investors from further fund purchases. So I emailed Scherer and asked more questions: why had Price used its discretion to designate my wife and me, without real proper notice or warning, for expulsion and banishment? Why, with such a severe and unappealable penalty, did Price not work out proper notice with Schwab? Why did it not highlight the penalties at the top of its prospectus or at least in the table of contents or somewhere and instead bury it under mountains of legalese? Why, when confronted by annoyed customers, did it not budge and try to make amends and work to keep longtime customers? Why did it not take the occasion to display “investment management excellence and world class service and guidance?” The email back from Price, unsigned this time, read like boilerplate and avoided most of my questions and notched up the stonewall.

And so alas I must have a chat with my crazed short term and excessive trader wife and see what we should do: fire Price or start reading every prospectus, line by line, page by page, from top to bottom, before investing in any more Price funds with Charles Schwab.

P.S. Unsolicited advice: to Price, Schwab, and all investment advisors and advisory newsletters everywhere: if anybody is imposing severe penalties and talking expulsion and banishment and exile for small individual investors with modest accounts, please give them fair warning in advance. And please don’t blame the victim when you get a complaint. B3

My sister! My mother!

0

› andrea@altsexcolumn.com
Dear Andrea:
I have these dreams that my mother is trying to have sex with me. I want to leave, but I freeze in place and can’t move. I feel sick when I think about it. I’m a bisexual woman in a healthy relationship with a man. I don’t know if this has anything to do with it, but I also have another problem: I really want to have an orgasm with normal sex. I can come if my boyfriend goes down on me or rubs me off, but it usually takes a long time. He’s wonderfully patient but I’m still frustrated with myself. I always feel like I’m almost there, but then we’ll have been at it for so long (two hours or so) that I dry up and it starts to hurt and the feeling is gone. Is there something terribly wrong with me?
Love,
Bad Dream, Bad Sex
Dear Bad:
There’s only one thing about you that really worries me, and it’s that you would ever imagine in your wildest dreams (and your dreams, you must admit, are pretty wild) that the perfectly normal way in which your sex life is unsatisfactory could have anything to do with your mother. I don’t think that the Oedipal (not the right word, but “Electral” doesn’t quite work either) dreams have any connection to your bisexuality either. Whatever’s going on with your feelings about your mother is way too fraught and Freudian for me to touch, but I’m willing to bet it has influenced neither your sexual preference nor your sexual performance.
As for coming during “normal” sex, well, you already are. Of course you’d like to reach orgasm during intercourse, but please understand that if you did so, you would be in the minority, hence no longer “normal” yourself. Relatively few women (the number is unknown but often reported at about 25 percent, which is probably too low, but it’s all we’ve got) reach orgasm purely through vaginal intercourse with no additional clitoral stimulation. This may seem unfair, but Mother Nature, admirable as she is in many ways, has never been known to play nice.
The feeling of getting “almost there” during intercourse is, regrettably, extremely common. It is also good news — if you’re almost getting there, there is at least somewhere for you to get to. My advice: quit the grim, goal-oriented grinding (two hours is really pushing it, guys), don’t let yourself dry out (there are many fine wettening products out there), and when the good feeling begins to fade, do something else. And no matter what happens — pay attention, this is very important — do not think about your mother.
Love,
Andrea
Dear Andrea:
I was rereading your column “Sister Act” and had a question. When I was maybe eight or nine, I’d play daddy and my sister would play mom. I don’t know where we got this idea, but sometimes I would get on top of her (clothed) and kinda grind away to orgasm. I think we both knew we weren’t supposed to be doing it, and if my parents came in, we’d quickly separate. So, is this at all normal? Also, is it normal that later as an adult I still desire her (I’m bi)? I’d never act on it, but I feel awful just for thinking it.
Love,
Sister Act II
Dear Sis:
I wrote a column called “Sister Act”? I wonder what it said? Probably something about how even socially unacceptable fantasies are harmless and, like ghosts and other apparitions, unable to affect things in the real world unless somehow incarnated, so don’t incarnate them. Something like that.
Playing house, including the weirdly gender-bound role-play and the not-so-innocent grinding, is indeed common and even normal. Most kids get up to this sort of mischief once or twice and nothing bad happens (of course there’s always that one kid who likes it a little too much). Cousins and next-door neighbors are the classic partners in crime, but siblings will do in a pinch, and to call this “incest,” let alone “abuse,” seems an unnecessary pathologizing of pretty harmless childhood exploration. This is all assuming that it stops at some reasonable age — preferably before puberty. It’s uncommon to even remember the game all that clearly, let alone long to go back and pick up where you left off.
In short, while there are many definitions of normal as applied to sex, none can fairly be said to include sex with your adult sister. There is nothing to be gained by feeling awful about it though. We’re not responsible for what we want, only what we do. Don’t do anything — that includes saying anything — and you really have nothing to feel guilty about. Weird, yes, but not guilty.
Love,
Andrea
Andrea Nemerson has spent the last 14 years as a sex educator and an instructor of sex educators. And she just gave birth to twins, so she’s one bad mother of a sex adviser. Visit www.altsexcolumn.com to view her previous columns.

EDITOR’S NOTES

0

› tredmond@sfbg.com
None of the candidates for public office this year can beat the performance of a 2004 supervisorial hopeful who showed up at the Guardian office for an endorsement interview with a completely spaced-out homeless friend in tow. The candidate was talking rapid-fire for an hour, shifting effortlessly back and forth from his history as a welfare recipient turned bartender turned subject of a drug bust turned successful businessperson to his suggestions for public policy and proposals for improving the neighborhood. His pal was muttering the entire time, off in his own world, his random comments a kind of atonal counterpoint to the candidate’s high-speed pronouncements and reminiscences — until the would-be politician began to talk about the time years ago when the cops caught him with a bunch of LSD that wasn’t really his. Quite a bit of LSD. At the description of the inventory, the sidekick snapped out of his reverie for a moment and proclaimed, “That’s a lot of dose.” Then he was back to his own world.
The 2006 contenders are a much more predictable lot, generally speaking. But there have been some moments.
At the top of the list, I think, were Starchild, the Libertarian candidate for District 8 supervisor, and Philip Berg, the Libertarian for Congress, who came in together and told us that the city would be a much safer place if the entire populace were armed — not just with handguns but with AK-47s — and that the trouble-plagued Halloween Night in the Castro would be much more peaceful if everyone who attended had a weapon.
I’ve always wanted the rest of the world to be able to share these moments with us — Guardian endorsement interviews are great moments in policy formation and political debate, as well as high theater of the finest kind. Soon we’ll have them online, unedited — questions, answers, speeches (ours and theirs), fights, laughs … every moment, for your listening pleasure. Check www.sfbg.com for details.
We generally don’t record interviews with people who just come down to the office to chat and give us advice about the election, which is fair — but I want to share a really sad moment with you. Sarah Lipson stopped by at my request to talk about the SF school board race; she’s one of the best members of that often-dysfunctional panel, the kind of person who gives you hope for the schools and for local politics … and she’s not seeking reelection. She misses teaching, she told us, and that’s understandable — but she also said that it’s basically impossible for someone with kids who isn’t rich to devote perhaps 30 or 40 hours a week to the school board and still have a job on the side.
Thing is, the San Francisco Board of Education, which oversees a half-billion-a-year budget, is essentially a volunteer ($500 a month) gig. That’s a model from a very different era, and it doesn’t work anymore.
San Francisco is a hideously expensive place, a city where almost nobody can support a family on one income. Full-time volunteerism is an impossible burden, and it means people like Lipson — who is exactly the sort of person we want setting policy for the schools — can’t serve on the board. Either you punish your family or you don’t do the job you want to do.
Being on the school board is a full-time job. We need to pay these folks a full-time salary. SFBG

Judge seals file in MediaNews trial

0

Some documents to be kept under wraps in suit claiming purchase of Times, Mercury News creates local monopoly

To the good: this is not a Bruce Blog head. This is the head and subhead on a surprisingly good story by George Avalos in today’s Contra Costa Times that gives some indication that the old Knight-Ridder fighting spirit on public access and accountability is still in play despite the new ownership of MediaNews Group/Dean Singleton.

More to the good: the story, unlike the Chronicle/Hearst coverage, lays out one of the key points of the Clint Reilly/Joe Alioto antitrust suit: that, as the lead says, “a wide range of documents could be kept secret in a lawsuit involving a realty executive and the owner of most of the Bay Area’s newspapers, including the Times.” Still more: the ruling by a federal judge “enables the parties in the suit, including defendants MediaNews, Hearst, Gannett Co., Stephens Group Inc, and a partnership of several of the newspaper companies, to keep numerous documents confidential and free from public scrutiny.” And Avalos got a key point into his story with a quote from Reilly attorney Daniel Shulman: “Newspapers believe the public should know about everything, unless it is information about newspapers.”

To the bad: Avalos allowed Media News/Dean Singleton to put its position in the story via an anonymous “representative for one of the newspaper companies that are defendants in the lawsuit.” This anonymous source put forth without gulping the monopoly boilerplate position: gosh, golly, gee, “the newspaper companies could be hurt competitively if some of the information is released to the public.”

Unsolicited advice to reporters and editors who have the uneviable task of covering the monopolizing moves of their monopolizing superiors: Do not let them get away with anonymous quotes from anonymous executives. Tell them to speak by name and title or the Bruce Blog will get them.

The critical point: there is a big difference between sealing records in a standard civil lawsuit between two competing companies and sealing records in a lawsuit that aims to, as Avalos rightly puts it, “derail and unravel the MediaNews Group purchases of the newspapers” and stop MediaNews from wielding “monopoly power over the Bay Area newspaper market.”

The Galloping Conglomerati, as I call them, already operate in effect unregulated public utilities, because of their monopoly positions in their (mostly) one newspaper towns. And, unlike PG@E and other utilities, they are exempt from public regulation because of the First Amendment. Now they are quietly seeking to lock up the area for good and impose in effect a regional unregulated public utility under one partnership on the entire Bay Area. This is heavy stuff and every major development in this saga ought to be on the front page of every paper and lead the broadcast news of every station in the Bay Area.

Go, Clint, go!!! B3, still blogging away on behalf of independent and competitive journalism

Contra Costa Times

T. Rowe Price: how to annoy the hell out of a good customer (Part l)

0

“Investment management excellence, world-class service and guidance.” Positioning line at the top of the T. Rowe Price website.

This morning, my wife and I had an unusual message on our answering machine at home from a customer representative at Charles Schwab. It said that Schwab was notifying us formally that the T. Rowe Price fund family had notified Schwab that “they are restricting your account from any further purchases into Price funds. If you have any questions please call me back.”

I picked up the phone and asked the representative, a most friendly and helpful fellow in Schwab’s Phoenix office, to explain his mysterious message. He said, a bit sheepishly, that my wife had sold a Price fund in her IRA account after holding it for six weeks and that Price had a policy (unbeknownst to us) that you can’t sell a fund until you have held it for six months. Price was penalizing us by restricting us from making any further purchases in the Price family by my wife or me in our Schwab accounts. She bought the fund in July, on advice of our investment advisory newsletter, and sold it last week because it had become volatile.

Where did this policy come from, I asked, and why were we not notified of this policy when we bought and sold Price funds, and why were we suddenly hearing of it in this embarrassing way. I told him that our investment advisory newsletter had advised its readers to buy the fund and wrote that there was no redemption fee. Neither Schwab nor Price had given us any notice of such redemption restrictions and penalties. And, I emphasized, I had never heard of Price and Schwab imposing such restrictions and penalties on longtime investors and added that I had never heard of any funds or fund families anywhere imposing such restrictions and penalties without proper and timely notice to its investors. What in the world was going on here?

The Schwab rep apologized, said he was just the messenger bearing the bad news for Price, and gave me the name of a Price rep that the company had designated to answer questions on restrictions: Mia Bartee, at 4l0-345-5597.

I called her immediately and got an answering machine and instructions to leave a message. I detailed my complaint on her answering machine and asked her to call me back as soon as possible and explain the mysterious restrictions and penalties to me. I also asked her to give me any reason why we should ever again invest in the Price family of funds and its “investment management excellence and world class service and guidance.”

At blogtime, still incredulous, I am anxiously waiting for her to call back. Stay tuned.

P.S. Justice through blogging: I will regularly report on consumer problems that I or my colleagues encounter and you can follow how I go about it, as a semi-professional consumer complainer. Let me know of any juicy ones you encounter and how you have fared. Maybe we can provide some object lessons on how to get some justice through blogging. Anybody having any luck with Comcast? B3

If once, then always

0

› andrea@altsexcolumn.com
Dear Andrea:
I started dating this guy (I am a girl) about six months ago. I knew he had a girlfriend in another country. I knew it was wrong, but he was only going to be in town for a few months. We ended up really falling for each other.
So the time came for him to leave, and I thought that would be it. But then he told me that he broke up with his girlfriend as soon as he got home. He flew back to visit, and we started talking about the long term.
Then it all crashed. He told me he was having doubts, he was feeling very guilty, and he was really in love with me but was confused. At first I was angry — but I really care about him and want him to be happy. I told him to do whatever was right for him, that I still loved him, but he needed to figure out what he wanted, and I couldn’t be strung along forever.
Now he says he’s made up his mind. He’s coming back. I’m worried I won’t feel secure now. Not only did this whole thing start as a lie (he was cheating — he says he’d never cheated before, but still), but now I fear I’ll always worry that he’ll think he made a mistake. Is there any way this can be salvaged? Can honesty and communication eventually smooth things over, or was this relationship doomed from the start?
Love,
Hopeful
Dear Hope:
Just to be perverse, I’m going to take up against the legion of advice columnists (and friends and bartenders and busybody neighbors …) who nod sagely and intone, “If he’ll cheat with you, he’ll cheat on you.” Sure, a bounder is a bounder and a rat is a rat, but can people not change? If you prick a bounder, does he not bleed? (OK, that last bit didn’t make any sense, but it sounded good, didn’t it?). In most cases, sure, a cheater who doesn’t cheat again is merely a cheater who hasn’t been caught, but — surprise! — people aren’t perfect. Sometimes we make mistakes, like hooking up with the wrong person for the wrong reasons, and sometimes only more bad behavior will remedy the situation.
The smug fatalism of “once a cheater always a cheater” depresses me. It’s like when the HIV counselor insists that you can never be sure your partner is monogamous, you only know he says he’s monogamous. Oh, shut up, Cassandra. I do too know, so butt out. Sometimes it’s just necessary to take a leap of faith, although not, of course, without looking where you’re going. It’s entirely possible that, having extricated himself from the wrong relationship and inserted himself into the right one, our boy will never look back nor stray again. Don’t kid yourself, though, that there’s much you can do to ensure this. If he is the cheating kind or easily bored, there is no level of devotion, no intensity of attention, and no righteous excellence of blow job guaranteed to keep him home.
By the same token, don’t count on honesty and communication to smooth things out. As relationship guru John Gottman has persuasively demonstrated, it’s not the communication style that makes or breaks a relationship, it’s what is actually being communicated. The ratio of “positive interactions” (sharing jokes and happy memories, saying “thank you”) to negative ones — according to Gottman — can predict success or failure far more accurately than the use of “I” statements ever could. (“I want to leave you” is an I statement; “No sane person could live with you” is not.) Whether a couple can improve their relationship by upping their ratio of positive to negative interactions is still in question. Maybe happy couples simply have a high positivity ratio to begin with. Either way, though, it isn’t the honesty that predicts success, it’s the positivity.
If his adventure with you does represent his one and only episode of cheating, and if the ex is really ex and was never the right girlfriend for him in the first place, and if he not only knows how to make up his mind but keeps it made up, I’d be inclined to give you decent odds. It should go without saying, although I will say it anyway, that taking a chance on love is a pretty good song but don’t quit your day job or sell your house. And if by chance you have a farm, don’t bet that either.
Love,
Andrea
Andrea Nemerson has spent the last 14 years as a sex educator and an instructor of sex educators. In her previous life, she was a prop designer. And she just gave birth to twins, so she’s one bad mother of a sex advisor. Visit www.altsexcolumn.com to view her previous columns.

Back from the country

0

› johnny@sfbg.com
At the end of our transatlantic phone conversation, I tell Vashti Bunyan to have a good night, and she tells me to have a good day. She’s relaxed at home in Edinburgh, Scotland, where her friend Jenny Wright — whom the first track on the new album Lookaftering (Dicristina Stair) is dedicated to — is staying for a visit. “We really haven’t seen each other at all over the last 30 years,” Bunyan says when I first ask about Wright, not knowing that she’s in fact sitting nearby. “She just happens to be staying with me right now! That’s really, really lovely.”
Reunions that span over 30 years — and ones that are really, really lovely — are something Bunyan’s devoted admirers fully understand. Defined by the forest flute-and-vocal duet of its singular title track, her first and for a long time only full-length recording, the Joe Boyd–produced 1970 Just Another Diamond Day (Dicristina Stair), is the rare kind of cult recording that deserves its cherished status. In essence, it’s an aural document of a horse-drawn journey to the Isle of Skye — a trip that she recently made once again for a film project by Kieran Evans, who first directed her in the real-life role of a native Londoner in Saint Etienne’s 2003 film Finisterre. “We went up to the Hebrides to film the end,” she says in a warm, soft-spoken tone of voice not unrelated to her singing. “It’s been quite a revelation to see all those places and have to think about that time again.”
Even Bunyan’s fans can’t be blamed for mistakenly thinking that she’s still living the magic-tinged pastoral life conjured by Just Another Diamond Day, her famed collaboration with members of Fairport Convention and the Incredible String Band. The cover of Bunyan’s Lookaftering features a profile of a regal-looking hare (“You call it a jackrabbit, don’t you?” she says) painted by her daughter, the artist Whyn Lewis. It begins with the Wright-inspired composition “Lately,” which down to its very title suggests little has changed in Bunyan’s world of sound except some subtle alterations for the better: the new album’s pace is a bit more relaxed, the already unique dedication to exploring thought and feeling even deeper.
Lookaftering’s most gorgeous melody might be the one within “Hidden.” “I wrote it for my boyfriend,” Bunyan says when asked about the song’s roots. “When I showed it to him, he was quite upset by it, and I couldn’t understand why. I thought it was a very loving and tender song, but he thought it meant he didn’t understand me or I didn’t understand him. But now, whenever I sing that song — and I usually start the show with it — I think he’s really pleased.”
Some of that pleasure is partly thanks to Devendra Banhart, who is only the most dedicated and high profile of Bunyan’s current-day admirers, who also include Animal Collective and Piano Magic. “I was so frightened of performing live,” she admits when asked about her return to the public eye (if it is indeed that, considering her reclusive nature the first time around). “I couldn’t even record an answering machine message. I asked Devendra how he could do it, and he said, ‘You just have to do it — there’s no other way. You have to do it until it becomes normal.’ After 10 shows or so I realized that my knees weren’t shaking anymore and I was actually enjoying it. I’m so grateful to Devendra for just saying the truth — you do what frightens you until you aren’t frightened anymore.”
For Bunyan, both the advice and support from Banhart and his associates have been a revelation. As a young artist she felt an unspoken bond with French singer-songwriter Françoise Hardy (“She was the only person with whom I felt any kinship at all”) and oft silently bristled against the patriarchal aspects of Svengali Andrew Loog Oldham, the Rolling Stones, and the overall competitiveness of her then-peers from swinging London. “Fancy ball gowns were the things they wanted to put me in — no way!” she remembers with a laugh. “When I started out at 18 or 19, the recording process was fascinating to me. But because of the way things were then, a shy girl could never get access to the actual production method.”
Today, Bunyan’s using her home computer to perform mirror-perfect duets across the ocean with Banhart and to make her own music without interference. The descendant of John Bunyan (“I was never made to read Pilgrim’s Progress when I was young — thank goodness, because I would have rebelled”) has even discovered a certain rhythmic and lyrical connection within the writing of her famed family member. She’s also made peace with her traveling past: “Back in the time [Loog Oldham and I] were working together, I think we hardly exchanged two words. But now there’s so much to talk about, and he’s so helpful and wise and just brilliant to remember things with.”
The shy country girl of musical myth is a city woman with grown kids now — and all the wiser for it. “I was talking with Jenny Wright about that just today,” Bunyan says. “In a small community you can go a certain kind of mad, really — I think human beings need lots and lots of different kinds of people to relate to and communicate with, and they finally find their own way.”
“I did desperately turn my back on the world and go off with a horse and wagon,” she says. “But I didn’t stay there!” SFBG
VASHTI BUNYAN
Thurs/7, 9 p.m.
Great American Music Hall
859 O’Farrell, SF
$20–$24 ($39.95 with dinner)
(415) 885-0750
www.gamh.com
For the complete interview with Vashti Bunyan, visit Noise at www.sfbg.com/blogs/music.

Too bad, Dad

0

› andrea@altsexcolumn.com
Dear Andrea:
I’ve prided myself on having a good relationship with my daughter, and we have always been able to talk about anything, but I was shocked when she asked me about anal sex. I was at a complete loss. She’s only 14 and it never crossed my mind that she would even know what that is, but I guess it’s not like it used to be. She said it’s the “cool” thing to do at her school and that most of her girlfriends have had it. I don’t want her to think that she can’t come to me about things. I could give her the “if your friends jumped off a bridge” speech, but then again, well … at least I wouldn’t have to worry about her getting pregnant. LOL. How should I handle this? Should I be supportive or honest or just refer it to another female like my sister or one of my coworkers?
Love,
Puzzled Pop
Dear Pop:
Sorry. Unless you’re raising her alone in a supermodern ranch house on a lonely and distant planet, she could have asked someone else, but she didn’t. You’re up, and I’m afraid you’ll have to be both honest and supportive. It should help to hear that “supportive” does not mean “Butt sex? It’s no biggie. Get with the program, kid.” Plus, if she came to you for advice, chances are good that she’s not already doing it and liking it or else what would she need your advice for?
We do hear (where have you been?) that these kids today spend more time having anal sex and attending blow job parties than they do on soccer, MySpace, and homework combined. There was a moment there when it seemed every possible media outlet featured a scarifying exposé of rampant oral gonorrhea among kids at elite suburban middle schools or rings of barely pubescent girls selling their anal favors for Bubble Yum. Much of this stuff is clearly exaggerated for effect, extrapolated from precious little data to garner ratings, sell magazines, or whip up a panic among parishioners or PTA members.
There is, however, some measure of truth along with the disinformation, if fairly nonpartisan bodies such as the Centers for Disease Control and Prevention and Johns Hopkins are to be believed. Every study conducted in the last decade or so has shown at least some increase in the number of young (in some cases, very young) people having oral and anal sex. In some cases, these are the very kids who sign abstinence pledges, promising not to “have sex” until marriage, another downside to using “sex” to mean penis-vagina intercourse. It allows for all sorts of weaselly usage, from the presidential “I did not have sex with that woman” to the willful misinterpretation of decent scientific data by groups like the Heritage Foundation and Focus on the Family.
I did have a point here: do not assume that she’s wrong or exaggerating when she tells you that anal is the “in” intercourse at her school. It may not be as prevalent as she thinks or reports (at least some of her girlfriends are lying), but it is happening.
It would be useful to know what your daughter actually asked you — I’m having a hard time believing she requested your blessing to start taking it up the butt, so what did she need from you? I’m going to go with the most likely possibility, that she mostly just wanted you to listen while she processed her own thoughts and feelings, and surely you, Mr. Sensitive Dad, could handle that much without having to palm the poor child off on your secretary or the mailroom girl?
Chances are your daughter also needed some information about what people actually do with their butts and stuff, since adolescents, even adolescents who affect a world-weary air and claim intimate knowledge of whatever arcane subject is under discussion, are notoriously vague about the nitty-gritty details. I think it’s perfectly legit to outsource this part, but only this part, probably by recommending one of the sex education Web sites specifically targeted to teenagers. I like Scarleteen.com, but it really doesn’t matter as long as you don’t just point her at the Web and tell her to go look up “anal + teen,” OK?
Let the professionals handle the “does it hurt?” and “will I like it?”-type questions, but as her dad you don’t get to shirk the harder parts, where you ask her what she’s heard, how she feels about it, whether her friends are pressuring her, and what she will do if they do pressure her. I would hope you’ve already talked to her about respecting herself and her body and not doing anything until or unless she really wants to, and then only once she’s educated herself about risks and how to avoid them. If you haven’t, well, for God’s sake, man, she’s 14. She has all kinds of excuses for stupid and irresponsible behavior. What’s yours?
Love,
Andrea

COMMENTARY

0

A freelance documentary filmmaker is in jail in Dublin, CA, for refusing to comply with a subpoena to turn over to federal prosecutors the out-takes of his filming of a 2005 street demonstration that turned violent. And two San Francisco Chronicle reporters are packing their bags for jail while they appeal contempt judgments for refusing to reveal to federal prosecutors their sources for evidence given the grand jury in the BALCO investigation.

If I were Governor Arnold Schwarzenegger or California Chief Justice Ronald George, I would be deeply troubled by these developments—not only because of the First Amendment issues at stake, which are huge, but because these federal actions against journalists in California represent a wholesale usurpation of state sovereignty. The Bush administration, which has been justly criticized for attempting to enhance executive power at the expense of Congress, is now eviscerating states’ rights in order to expand the power of the federal government.

William Rehnquist, the conservative former Chief Justice of the U.S. Supreme Court–and intellectual champion of American “federalism”—is no doubt turning over in his grave.

California, like the District of Columbia and every other state except Wyoming, has enacted a “Shield Law” to protect the news media’s independence from government and to assure public access to information about wrongdoing in high places. (Memo to media: stay the hell out of Wyoming.) California’s Shield Law, enacted both as a statute and constitutional amendment, protects the press from subpoenas demanding access to confidential news sources and unpublished information. State shield laws, however, don’t apply in federal proceedings–and the feds have no shield law of their own.

The U.S. Justice Department, in these two California cases and others, had a choice to make: It could defer to the nearly unanimous judgment of the states, or it could decide–states’ rights be damned–that the federal government would insist on enforcement of subpoenas that would be void or illegal in nearly all state courts. It chose the latter.

And so Josh Wolf, the freelance filmmaker whose unused digital film California voters clearly meant to protect from compulsory judicial disclosure, is in jail. And Mark Fainaru-Wada and Lance
Williams, the Chronicle reporters who wrote about the BALCO case, will soon be in federal detention unless the U.S. Court of Appeals for the Ninth Circuit can be persuaded to change course.

The Justice Department’s enforcement proceedings don’t just undermine a valid state policy, they completely nullify it. This is so because reporters and their sources have no way of knowing, at the time of an interview with a source or the filming of a news event, whether a subpoena will issue from a California state court–in which case it can be safely ignored–or from a federal court, in which case it will be enforced through fines, jail, or other sanctions. Since the only safe strategy is to assume that one could end up in front of a federal judge, the state shield law is effectively voided.

To appreciate the extent of federal usurpation of state authority, imagine that the feds were disregarding, not state shield laws, but the attorney-client privilege (which is also a creature of state law). The reason for the privilege, which is recognized in all states, is to encourage people to seek legal advice and to fully disclose relevant information to their lawyers, who are bound to secrecy.

If the U.S. Justice Department took the position that the attorney-client privilege did not apply in federal proceedings, most legal clients, not being able to predict where and how their communications with their lawyer might be sought, would behave as though the states’ attorney-client privilege did not exist. They would not seek legal advice. They would not speak openly with their lawyer.

The feds’ takeover of state sovereignty is especially egregious in the Wolf case. The street demonstration that was caught on Wolf’s video camera involved self-styled anarchists who, in a July 8, 2005 rampage through downtown San Francisco, destroyed property, resisted arrest, and assaulted and injured at least one San Francisco police officer. The persons responsible most certainly should be prosecuted–in state court by state prosecutors and under state law (including the shield law).

How did this quintessentially state law matter become a big federal case? According to their pleadings in U.S. District Court, federal prosecutors assert federal criminal jurisdiction based on damage to a police car, which had been purchased partly with federal assistance. I’m not joking. And the damage to the police car, which is disputed, may have been limited to a broken taillight!

Bad enough that California’s authority is neutered by the feds. Far worse that it is neutered in a case in which a genuine federal interest is nonexistent–indeed, where the putative federal interest is, patently, a pretext for an end-run around California’s shield law.

It’s time that the federal courts wised up and put an end to this. The current appeals of the Wolf and Chronicle cases to the Ninth Circuit Court of Appeals provide an opportunity for the federal judiciary to rein in the Bush Justice Department, reassert the primacy of state law in the area of evidentiary privilege, and highlight the importance of a news media that is–and is seen as–independent of government investigators.
———-
Peter Scheer, a journalist and lawyer, is executive director of the California First Amendment Coalition,

Spiff your licks

0

› culture@sfbg.com
Painting, welding, playing the xylophone … these all seemed like mildly entertaining pursuits to me, but they didn’t quite inspire the level of intense passion needed to get me off my ass and into a classroom. If I was going to invest my valuable time in any course of instruction, it had to involve something I truly wanted to learn. Drinking, smoking, shoplifting … I was way too good at that stuff already. No, what I needed by way of education was something I could really get a hard-on about. That was it — I could definitely stand to learn more about the activity that gives me the biggest hard-on of all: going down on my girlfriend. Couldn’t we all? Join me, then, as I gently ease back the hood of our city’s sexual instruction resources in search of my very own cunnilingus guru.
Embarking on this quest had me feeling a little like Frodo: small, hairy footed, and bristling with trepidation at the thought of meeting a true cunnilingus master. Don’t get me wrong (I say in typical straight-guy fashion), I’m OK at what I do. But how would I ever convince the woman or man who was to teach me that I’d be a worthy pupil? Yet I knew I had to continue. Perhaps my libido was in charge. Perhaps somewhere in my heart, I knew my girlfriend deserved better than what I had been giving her. Whatever the case, I was determined to fix my licks for better kicks.
Finding my ideal tongue tutor wasn’t as easy as I thought. Most sex educators don’t advertise in the Yellow Pages, nor are they easily googled. And I’m a little leery of gaining sexual insights from the Learning Annex — I might walk away with my entire life savings invested in yoga retreats and Trump towers. To find someone to teach me how to orally astound, the first thing I needed to do was head to a respectable sex shop. In San Francisco that means go to Good Vibrations on Valencia Street.
There at the service counter, on an events calendar dotted with workshops on spanking, sex after 60, toe sucking, lap dancing, and whatever other sex acts you can imagine, I found the course that shot a twinge of excitement through my loins: Tracy Bartlett’s “Oral Majority” workshop. Alas, I’d missed it by a month — but didn’t despair: Tracy was due to come around again soon, I was assured by the counterperson. In the meantime, it was recommended that I read Bartlett’s bible, The Ultimate Guide to Cunnilingus (Cleis Press, www.tinynibbles.com) by Violet Blue.
If The Ultimate Guide works for a professional like Bartlett, I knew it would help me, so I purchased a copy and headed home. There in the cozy corner of my bedroom, I sat for the next three hours reading erotic fiction, techniques for mind-blowing orgasms, and helpful advice on proper pussy-eating etiquette. From the proper utilization of butt plugs to the pleasures of doggy-style licking, Blue’s book offers the sound advice of one who has braved the bush many times. Not only did it hone my cunnilingus skills, but it also provided me with a possible reason why my search for a teacher was proving difficult. “Most sex instructors,” Blue reveals, “are heterosexual females. There’s nothing wrong with that, of course — unless you want to know what it’s really like to lick a pussy. Heterosexual women don’t know, so they tend to gloss over or skip cunnilingus in their classes.”
A bell went off in my head. I knew exactly whom I needed to find: a woman who teaches cunnilingus classes and actually licks pussies.
After reading Blue’s book, I could find the clitoris in two seconds flat. I could also judge the correct moment to introduce a well-lubed finger into a hesitant anus and could expertly perform a down-tempo version of “the ice-cream lick.” I was ready to meet my swami. But where was I to find her? After some more, perhaps embarrassingly persistent queries at Good Vibes, I struck gold. Bartlett had passed the local licks-pertise torch down to her top pupil, Koko West of www.sexysexed.com.
For the past two years, Koko has been making home visits and hosting parties for up to 40 people at a time. She’s queer identified and female, and teaches both fellatio and cunnilingus classes (one and a half hours for $250) and sex classes for couples (two hours for $300). Perfect! I set up a demonstration meeting with her and held my breath (while compulsively brushing my teeth). The next morning I headed to a local park where my pussy guru was patiently waiting on a checkered picnic blanket.
There on the knoll she sat, barefoot and draped in a polka-dot dress, her glistening tray of cucumbers and a silky pillow by her side. Without saying a word, I walked up, dropped to my knees, and prepared to imbibe the lessons of a true master. With tears streaming down my face, I begged her to teach me all she could. Her hands came down from the heavens to push the hair from my sweaty brow. “Shhh,” she said, “Koko’s gonna make it all better. Tell me what you want to know.”
My first question was obvious and the answer surprising; “What is the best way to perform cunnilingus?” I blurted. “First of all,” she said, “I find the word cunnilingus a bit unsexy. I like to say ‘going down’ or ‘licking pussy.’ And honestly, there’s no tried-and-true way to go down on a woman. She may love something one day and yearn for something completely different the next. The key is talking.”
“What do you mean,” I asked naively, “like, talk into her vagina or something?” Koko looked at me disapprovingly, took a breath, and said, “Uh … no. Communication between lovers is the key. Usually when people get over the initial discomfort of talking about sex, they find conversation extremely beneficial and hot.”
Yes, I thought. That’s what my girlfriend needs. A man who can talk and perform “the crooked tongue whip” at the same time. Shit, I had some serious work to do.
We sat for hours talking about the best way to ease a lover, how to use toys, and so on, but it wasn’t until evening approached that we got to the good stuff: cold hard sex tips. Koko flipped over the odd-shaped pillow she had been leaning on. On the other side were lips, a clitoris shrouded in a satin hood, and many, many folds. “This,” she said, “is the ‘Wondrous Vulva Puppet,’ from the House o’ Chicks [www.houseochicks.com], and you’re going to lick it with your hand.”
My arm became a mock tongue as Koko guided me through her repertoire of swirly techniques, flicking motions, penetration, and more. I could have played with Koko’s pussy puppet for days, but she eventually grew weary of my puppyish enthusiasm, packed up, and left. Still, she was only an e-mail away, and I knew that although I may not have earned my master’s in munching, I was no longer just whistling in the dark. SFBG
GOOD VIBRATIONS
603 Valencia, SF
(415) 552-5460
www.goodvibes.com

Rage and resistance

0

› a&eletters@sfbg.com
“It’s a whole different feeling on the East Coast.” Raymond “Boots” Riley, Oakland’s most famously outspoken rapper, is talking. The Coup, the group he’s led for more than a decade, has just returned from a series of spring New York dates. Their latest album, Pick a Bigger Weapon (Epitaph), has just dropped. It’s a good time to clock the distance between the coasts. “They’ve got a whole different code of language and lifestyle — and the same with the political energy that’s there. It doesn’t even translate,” he says. “We were in New York for four days, and like the old saying goes, ‘It’s a nice place to visit.’”
He pauses, perhaps for breath, perhaps to check himself, before continuing, “There are a million things to plug into back there. You don’t even have time to make a mistake. With all the stuff you hear about Oakland, the truth is that people walk down the street and say ‘what’s up’ to each other even when they’re strangers.”
For Riley, that sense of community is crucial. It keeps him going. Because exposing the dark hand behind the daily injustices heaped on the populace — and empowering people to stand against it — is what Riley is all about. Beginning with the Coup’s 1992 debut, Kill My Landlord (Wild Pitch), through his latest, the group’s fifth full-length, he has created a deeply personal, heartfelt, often funny body of work that captures the East Bay’s radical legacy, as well as its funky, booty-shaking musical sensibility.
ACCIDENTS WILL HAPPEN
For those whose eyes were focused on other things — understandable under the circumstances — the original drop date for the Coup’s fourth album, Steal This Album: Party Music (75 Ark), was 9/11. If current events weren’t enough, the original cover featured Riley and Coup DJ Pam the Funkstress in front of a crumbling World Trade Center. It got the group a fair bit of publicity — not all of it favorable, including scrutiny from the political police. The result was that in some quarters, Party Music was seen as too hot to handle.
It contributed to a potentially lethal — career-wise — four-year-plus interlude between albums. Riley is frank about the delay.
“A couple of years were about us touring to make sure that people found out about that album,” he explains. “For a long time when we toured, we’d get into town and find out that the album wasn’t in the stores. I don’t apologize for anything about that album, and I wanted to make sure that it didn’t just disappear.”
But a nearly five-year wait?
“Well,” Riley says, “there was the business of what did I want the next album to be. And in the past, the first 12 songs I liked, there was the album. But this time, I had 100 songs I liked, I kept obsessing about the music, and a lot of that was me running away from making the album.” Party Music may not have gone putf8um, but it boosted the Coup’s visibility and reputation among more than just funk lovers. The past few years have seen an upsurge in political activism, and the group managed to find fans among those who like rebellion with their music. High expectations came with the territory.
“I got sidetracked when I started this album for a little bit,” says Riley. “I set out thinking I was going to have to address everything in the world. I was taking on too much.”
It’s instructive to understand what “too much” means to Riley.
“At first I’d think about writing a song that would break down the Palestinians’ fight for land,” he says. It led to what he calls overthinking the problem. “Some people look out at the world and see things simply. I see things in their complications. It’s how I understand the world, but it also can lead to problems. That comes out in my music sometimes, because I can always do something over by just erasing a line.”
What this led to in the case of Bigger Weapon was a classic hurry-up-and-wait situation. There was a time, for instance, when Riley would go into the studio and just follow his instincts. Now many listeners were knocking at the door. The president of Epitaph, Andy Caulkins, was one of them.
“He’d call me,” Riley remembers, “and say, ‘We’re really excited about this album. It’s really the time for it.’ ‘Laugh, Love, Fuck,’ a kind of personal manifesto, was the first song I turned in. After a few of my conversations, I’d be wondering if this was what they expected. But I realized that what motivates me to think about things on a world scale, it has to do with what is happening in my town, how it’s similar and dissimilar to what’s going on in the world. Otherwise it’s like I’m sitting in class, and it’s just a bunch of facts. When I first got into organizing I was 15, and I was really excited about learning things, and I think I read every book that was shoved at me. What stuck with me is the parts of the books that my actual real life made clear.
“How I write best is just me being myself — when I have what I call moments of clarity — just feeling things, reacting to things as I live my life. That’s when it works.”
The material is so personal that at moments Riley had difficulty handling the idea of a public hearing. “I have songs on here,” he says, “that I couldn’t look at people when I first played them … ‘I Just Want to Lay Around in Bed with You’ and ‘Tiffany Hall.’ The last one is about a friend of mine and what her death signifies to me. Those songs were hard for me in that very personal way.”
These tracks were foreshadowed by cuts like “Wear Clean Drawers” and the wrenching “Heaven Tonight” from Party Music. The former is a kind of heartfelt message to his young daughter warning her about the difficulties that life has in store for her; the latter is built around the story of a young woman with hunger pangs that are the unjust punishment of poverty.
At the time that he wrote “Drawers,” Riley remembers thinking, “Maybe this isn’t why I got into rapping, that I needed to break the whole system down.”
In fact, his songs do indict the system, like the tracks on the latest album — not by imparting lofty lessons, but by focusing on the human particulars. Ultimately, the album shows a confident Riley at home with an unambiguous approach to songwriting.
TAKE THE POWER
To say that the rapper is unapologetic doesn’t begin to describe his resolve. The truth is that he never budged from the original World Trade Center a flambé cover of Party Music, and there’s no give in Pick a Bigger Weapon. The title itself works two ways: as advice to the dispossessed and as a challenge to the powers that be.
“In my life,” he says casually, “I’m still probably the only person I kick it with who considers himself a revolutionary. I mean, I’m not in an organization, but I think that in this world the people can take power.
There are no doubt folks who feel that Riley lives in a different universe. When asked about the skeptical among us, he tells a story he heard from guitarist Tom Morello of the late rock-rappers Rage Against the Machine. Morello has become a Riley friend and fellow traveler who can be found on occasion playing behind the Coup, as well as working with Riley as a guitar-rap duo. According to the guitarist, Rage some years ago was working on a video with outspoken director Michael Moore. The idea was for Rage to arrive on Wall Street on a busy workday, where they’d set up and play, loud. The financial district population would, they thought, be pushed up against the wall by the Rage challenge.
What happened was unexpected, and for Riley serves as a case in point. “They showed up on Wall Street,” he explains, “and expected all kinds of chaos with people scared, threatened by their music, and the police coming and everything. But what happened was, out of the financial district came about 100 people in suits chanting, ‘Suits for Rage! Suits for Rage!’ The point is that there are a lot of people who don’t want to be part of the system and don’t see themselves as part of it.”
“We all hear about the problems, like you can’t say anything or the FBI’s gonna put you in jail,” continues Riley. “But the thing is that people need to feel empowered. I try to make music first that makes me feel good about life, that makes me feel empowered. Some beats make you feel like, ‘Damn, I’m gonna beat somebody’s ass,’ and sometimes might do that, but I try to make music that draws on a lot of different feelings.”
As Riley says, the album has many flavors. But when all is said and done, the essential message can be found on the first full track, “We Are the Ones.” Over a booming, bouncy bass line, he sounds almost laid-back as he raps, “We, we are the ones/ We’ll see your fate/ Tear down your state/ Go get your guns.”
It’s frank, on the ferocious side, and exactly what audiences have come to expect from the Coup. It took Riley nearly five years to release it, but Pick a Bigger Weapon is in your hands. Use it wisely. SFBG
THE COUP
With T-Kash and Ise Lyfe
Sat/12, 9 p.m.
Independent
628 Divisadero, SF
$20
(415) 771-1421
www.independentsf.com

Monopolies are forever

0

July 28, 2006

By Bruce B. Brugmann
(henceforth to be known as B3 in this Bruce blog)

Earlier this week I dropped by Christopher’s Books on Potrero Hill, my favorite neighborhood bookstore, and was delighted to find a new grassroots newspaper that is published, written, edited, and distributed by a l3-year-old young lady.

Oona Robertson calls her paper “The hill, a Potrero Hill Kids newspaper.” She writes that she has “lived on Potrero Hill all my life. I like to read, write, fence, play sports and be in nature. I live with my mom, dad, sister, brother, fish and cats. I hope you enjoy my newspaper.”

She says her paper is “for kids of all ages.” The current issue has a poem titled
”Ode to my cat,” an essay headlined “The benefits of not owning a car,” part two of a serial about l5-year-old kids spying on a rich man in a mansion in Napa, four “fun summer recipes,” a synopsis of two kids movies (“Cars” and “Garfield, a Tale of Two Kitties”), a review of “The Alex Rider series,” a “Corn Cake Monster” comic strip, advice for bored kids during the summer (“try the ultimate water fight: invite all your friends and kids from your block to come to your house for the ultimate water fight…bring water balloons, water guns, water bottles, buckets, soakers, anything they can think of…Then go into your backyard or out front and either organize teams or have a free for all.”

The monthly paper is sold for $l at Christopher’s Books, but Oona says for an extra $3 she will hand-deliver her paper, but only to the houses of Potrero Hill kids. She will also take ads for $l. And she will take editorial submissions from kids. (Send ads and submissions to the hill, %Christopher’s Books, 1400 l8th St., SF 94l07.)

The hill is an amazing bit of entrepreneurial journalism, which I was reading as an email came in from my source in Contra Costa County, a news junkie and First Amendment warrior, who regularly alerts me to news in the Contra Costa Times that doesn’t appear in the San Francisco Chronicle. Did you see that the judge is going against Clint Reilly on his antitrust suit, he asked. No, I replied, I didn’t see the story. So I checked and sure enough, buried on page 9 in the Bay Area section, with a wimpy little head “Early ruling denies bid to halt big media sale,” was a story in the classic Chronicle tradition of minimalist and pock-holed media and power structure reporting. For attentive Guardian readers, you know our competitive-paper line. But this story had major whoppers and raised in 96 point Tempo Bold a new flurry of unanswered questions about a media monopoly move that will (a) allow Denver billionaire Dean Singleton to buy the Contra Costa Times, San Jose Mercury-News and Monterey Herald, plus a batch of weeklies and free dailies, and pile them up in his existing stable of papers that ring the bay, and (b) thereby gain a chokehold on Bay Area journalism for the duration, and (c) destroy the last remaining daily competition in the Bay Area–with the Chronicle– by getting Chronicle owner Hearst to assist and invest in the deal with undisclosed multi-million dollar stakes in other Singleton properties outside the Bay Area.

Whopper No. l: “In issuing the preliminary ruling (against Riley and for the Hearst/Singleton consortium), U.S. District Judge Susan Illston said the defendants faced greater harm than Riley if the sale of the San Jose Mercury News and Contra Costa Times was halted. ’I don’t see imminent irreparable harm to the plaintiffs,’ she said.”

Whopper No. 2: “Alan Marx, an attorney for MediaNews (Singleton), said there will be no cooperation between Hearst and MediaNews after the transaction. He said serious delays to the sale could force MediaNews to incur interest rate penalties of at least $22 million on loans that MediaNews has arranged to finance the purchase.”

Pow! Pow! Pow! If this single ownership chokehold on the Bay Area is not “irreparable damage,” then what is? Why is the federal judge worried about “irreparable damage” to billionaires in New York (Hearst) and Denver (Singleton), as well as the other billionaire partners to the deal in Sacramento (McClatchy) and MClean, Va. (Gannett) and Las Vegas (Stephens), and not worried about “irreparable damage” to the public, to readers, to advertisers, to competitive papers, to the health and welfare of their local communities, and to the marketplace of ideas principle underlying the First Amendment?

Some other key questions that the Chronicle and the other participants in the deal aren’t raising and answering: How can the publishers proceed before the Justice Department and the Attorney Generals approve and sign off on the deal? Why don’t they ask Attorney General Bill Lockyer about the status of his investigation? Lockyer, after all, is running for state treasurer and is on the campaign trail, as is Oakland Mayor Jerry Brown, who is running for Attorney General. Lockyer appeared on the Will and Willie show on the Quake last week and left the room, just before Guardian executive editor Tim Redmond came on. Redmond opened up his remarks by saying that he wished he had known Lockyer was on the show, because he would have asked him about his investigation. And then Tim and Will Durst and Willie Brown discussed the impact of the Hearst/Singleton issues in an open and lively way almost never done in the mainstream media. Why are Lockyer and Brown on the lam, and allowed to be on the lam, when they are once again running for major statewide offices? Let me note that they refuse to answer our repeated questions on the deal.

More questions: why, if Hearst and the other publishers feel they can’t cover themselves, don’t they get comments and op ed pieces from journalism or law professors at nearby UC-Berkeley, Cal-State Hayward, Stanford, San Jose State, SF State, USF? Why don’t they check with other independent experts such as Ben Bagdikian of “Media Monopoly” fame, who is living in Berkeley? Why don’t they quote Norman Solomon, a local media critic who writes a nationally syndicated column? Or Jeff Perlstein, executive director of Media Alliance or the Grade the News media reporting operation housed at San Jose State University? Why don’t they quote union representatives at the Chronicle and Merc? Why don’t they quote any one of the six U.S. representatives from the Bay Area that called on Justice and the AG to carefully scrutinize the sale? Why don’t they call on Sup. Ross Mirkarimi, who introduced a local resolution opposing the sale, or any of the other supervisors who approved it unanimously? (Note: the Chronicle refused to run the Mirkarimi resolution even though I personally hand-carried it to the Chronicle City Hall reporters in the City Hall pressroom.) Why is it left to the handful of remaining independent voices to raise these critical questions?

I’m sending these questions to the local publishers, and I’ll let you know what they say.

Hearst has never been much good on local power structure issues (witness its blackout of the PG&E-Raker Act scandal), but things will only get worse when it is comfied and liquored up with Singleton and there is no real daily competition in the Bay Area. The way Hearst and the other billionaire publishers blacked out and minimalized this critical story–a story critical to their future credibility and influence–is a harbinger of the future of journalism in the Bay Area and beyond. Alas. Alas.

I sometimes think that Oona Robertson and the hill can do better.

This is my first blog, so please be kind until I get the hang of it and get safely out of my Royal typewriter past. I have much to say, in a journalism career that started at age 12 on the famous Lyon County Reporter in my hometown of Rock Rapids, Iowa. I wrote a rousing story about catching a trout in the Black Hills on a vacation with my parents. I wrote a column for four years during high school, wrote off and on through the years and even worked a summer as the only reporter on the paper. I learned a couple of key things in the College of Community Journalism in Rock Rapids: that it is important to be accurate, and good spirited, because the locals know the story and read the paper to see if you got it right. And that, when you write about somebody, you write knowing you may seeing them later that day at the Grill Cafe or Brower’s Pool Hall or the golf club.

In Rock Rapids, I always felt I was having an ongoing conversation with the the people in town and on the farms. And, for the past 40 years at the Guardian, I have felt that the Guardian staff and I were conversing with our readers and the people of San Francisco. So now, with the magic of the internet and the blog, I hope to converse even more directly with our readers. Join the conversation. Join the fun. B3

After my son’s death

0

OPINION I am a mom who never wanted to have a gold star after my name.
Last month, after two years of requests, I finally received the Army’s report on how my son, Patrick, died. Some of the information I already knew, through some of Patrick’s brave soldier friends who were with or near him when he died. They told me much of what was in the report. They told the truth, and the government reprimanded them for doing so.
But having the information reported to me in detail on June 21 only increased the hurt — and my determination to stop other mothers from having gold stars after their names.
Patrick was a loving boy with a great sense of humor. He grew to be a strong man who was friendly to everyone, and he especially loved and cared for children. He raised his two children to be the same.
At 31, he was successful in business, earning a comfortable income. He was also a patriotic American who, after Sept. 11, wanted to serve his country. Against the advice of his Army veteran father and me, he joined the California National Guard Engineering Battalion out of Petaluma, being assured that he would serve stateside.
He was not trained as an infantryman. He was not trained to train Iraqi soldiers to be our soldiers.
Patrick was killed on June 22, 2004, outside of Fort Anaconda near Balud, Iraq. Iraqi soldiers he had been training killed him.
This government took my son, my most treasured gift, in a war we did not need to start. Now my life is dedicated to stopping mothers from losing sons, on both sides. You can help me with that.
I want to build centers for our veterans, who are having serious problems when they come home. I know our government should care for them, but that’s not happening. The returning soldiers have physical and psychological needs that are being ignored and that will come back to haunt them and us in years ahead.
I want to see good alternatives to military service that ordinary citizens can contribute to and benefit from.
That’s why I support the World Service Corps proposal sponsored by the People’s Lobby. If Congress adopted the plan, by the time the World Service Corps entered its seventh year, one million Americans could be voluntarily serving in the Peace Corps, AmeriCorps, Habitat for Humanity, Head Start, Doctors Without Borders, the Red Cross, the International Rescue Committee, Oxfam, Mercy Corps, or state conservation corps.
Had this been in existence when Patrick wanted to serve his country, I believe he would have joined a nonmilitary organization, and he would be alive today.
Had this program been in existence for decades, there would not be as much hatred fired at our soldiers. There would not be as many soldiers coming home with serious needs.
Ask your congressperson to support the World Service Corps plan. Please help by visiting the Web sites listed below and giving whatever you can, to help make these lifesaving programs happen. SFBG
Nadia McCaffrey
Nadia McCaffrey lives in Tracy.
www.patrickspirit.org
www.worldservicecorps.us
www.peopleslobby.us
www.freedomfromwar.org

Foreign cures

0

> barsandclubs@sfbg.com

It’s Saturday morning, 10 a.m., and the sun streaming into your bedroom is driving a wedge into your brain. Someone put little socks on your teeth while you were sleeping. You smell like a distillery. You failed to follow any of the drunken rules when you stumbled home, pantsless, the night before: You didn’t drink a big jug of water and take two ibuprofen, and you didn’t make yourself a fried egg sandwich. (You know about that one, right? Grilled cheese sandwich with a fried egg and mayo inside — works every time.) You promise yourself you’re never going to mix mai tais, margaritas, and merlot again. With a Mary Jane finale.
But if you’re up for some real chow (instead of crackers, club soda, and Emergen-C), fortunately you’ll find salvation in a number of our city’s dining outposts. Since there are cultures that have been dealing with hangovers for many moons longer than our little post–Barbary Coast enclave has, I went on a citywide tour to unearth the best international food cures to help counteract the deleterious effects of knowing a bartender, blacking out at bachelor parties, or just drinking to forget.
A hot bowl of the Vietnamese noodle soup pho (pronounced fuh) comes highly recommended as a restorative by a couple restaurant owners I know, and some bona fide boozehounds. Turtle Tower (631 Larkin, SF. 415-409-3333) in Little Saigon has the best pho in the city, and number nine, the Pho Ga/chicken noodle soup — a steaming bowl of silky, hand-cut rice noodles and some darned good white chicken meat — is your rescue. Since Turtle Tower’s pho is considered to be northern, or Hanoi, style, it comes in a light broth with cilantro and a side of lemon and sliced peppers. Order the small size — it’s plenty big enough, trust. Back it up with a tangy lemon soda and you are seriously set. Lucky you, they’re open early, so you can get your slurp on.
Some other folks wise to the soup-as-hangover-antidote method are those wild ones of the mountains, the Basque. Sheepherders really know how to party. (What else can you do there? Wait, don’t answer that — just leave the sheep out of this.) Their classic day-after elixir is garlic soup. Visit Piperade (1015 Battery, SF. 415-391-2555, www.piperade.com) and order a bowl of hearty soup made with rock shrimp, bacon, bread, garlic, and egg. It covers all the bases. You can eat at the cozy bar, so don’t let the white tablecloths scare you.
OK, everyone has heard of the infamous Mexican hangover cure, menudo. (No jokes about the band, please, that’s tired.) Menudo is a soup made with beef tripe (yes, it comes from three of a cow’s four stomachs), hominy, onion, and spices. Sometimes you’ll find some pork knuckles or calf’s foot. The Greeks have a version of it; same goes for a number of South American countries, and you’ll even find a variant in the Philippines. Menudo is traditionally only available on the weekends, so I made sure I was good and hungover the Sunday I stumbled into Chava’s (2839 Mission, SF. 415-282-0283) to try it. How hungover? How about a wedding rehearsal dinner the night prior, with a cavalcade of flutes of sparkling wine, red wine, and a couple French 75s followed by two old-fashioneds? Yeah, I was feeling it.
But, um, here’s what I’ve decided about menudo: On the days when you’re so nauseated you need to get sick, come to Chava’s, get a bowl of menudo to go, bring it home, and open the lid. Just one whiff, partnered with the sight of the rubbery tripe and animal parts, will inspire a great big Technicolor yawn. No offense to Chava’s, but you simply had to grow up with the stuff to be able to eat it, let alone eat it when you’re hungover.
Speaking of fatty food: It’s supposedly tough on your liver the day after, since it’s already working double time to flush out all those nasty toxins, but I say whatever — if the fat makes you feel good, eat up. This is where el Farolito (2951 24th St., SF. 415-641-0758) lives up to its “little lighthouse” name, especially for those who can’t see through their morning-after daze. The doctor is ready to see you now: The super quesadilla suiza is a flour tortilla exploding with a mass of carne asada, cheese, meat, avocado, salsa, and sour cream that you can pick up and hold in your quivering DTs-afflicted hands. It’s so huge you can bring the rest of it home for when you’re hungry again. (What is it about hangovers that turns everyone into Count Snackula?)
A runner-up in the “Mexican food–bad for you” category are the nachos (and a Pacifico, if you can manage it) at Taqueria Can-Cun (2288 Mission, SF. 415-252-9560). The nachos saved me one afternoon after a bleary night in North Beach with some Italians (don’t ask). You’ll get a pile of meat, refried beans, avocado, cheese, sour cream, jalapeños, and their lousy grainy chips that actually come to life in the nachos. Spicy too. Feeling more arriba now?
The Irish know a thing or two about hangovers, and you can find a hearty Irish breakfast — sausage, bacon, black-and-white pudding (you might not want to eat it — it’s made with blood), baked beans, potatoes, mushrooms, and eggs any style — at the Phoenix Bar and Irish Gathering House (811 Valencia, SF. 415-695-1811, www.phoenixirishbar.com). The place is nice and dark, even during the day, so you don’t have to dine in your sunglasses (unless someone punched you in the eye because you were mouthing off). There are all kinds of brunch dishes and other greasy foods served until late in the day, and you have plenty of options for some hair of the dog at the bar. I’d say they know their clientele.
A partyer pal was kind enough to let his secret out of the (barf) bag for me: the Korean dish bi bim bap from Hahn’s Hibachi (1305 Castro, SF. 415-642-8151), a magic combo of chicken, pork, or marinated beef and vegetables on a bed of rice, with a raw egg on top. Throw some hot sauce on and mix it all up in its hot stone bowl so the bits of rice on the edge get crispy and the egg cooks. The name literally means “thrown-together rice,” and while there are definitely more authentic places around town, hangover day is never good for serious exploration — you need a sure thing.
The hungover French (well, those from the region of Brittany, anyway) would surely cosign a crepe from Ti Couz (3108 16th St., SF. 415-252-7373). These aren’t the finest crepes in the world, but I would say an order of the complete crepe (ham, cheese, and a sunny-side up egg inside) with the Ti Couz mimosa (made with peach schnapps — I know, you thought you were done with schnapps) while sitting out in the sun will get you feeling très bon again.
Lastly, our tour of the culinary landscape of San Francisco wouldn’t be complete without a couple classic American burger options. I am not alone in vouching for the wonders of a Whiz Burger (700 S. Van Ness, SF. 415-824-5888) cheeseburger and a root beer freeze. There’s even a decent veggie burger, and tasty seasoned waffle fries. But it’s hard to beat a giant juicy burger hot off the grill while hanging out on the patio of Zeitgeist (199 Valencia, SF. 415-255-7505) on a Sunday, with an ice-cold beer or one of their Bloody Marys. My badass bartender friend Kenny Meade from Vertigo Bar recommends either a shot of Fernet or, post-Zeitgeist, a Mexican chocolate milkshake from Mitchell’s Ice Cream (688 San Jose, SF. 415-648-2300, www.mitchellsicecream.com). He’s gotten me drunk enough times for me to totally trust him on this little piece of advice. SFBG
In between potential Betty Ford benders, Marcia Gagliardi somehow publishes a delicious weekly column about the SF restaurant scene, the Tablehopper, at www.tablehopper.com. Got a favorite foreign hangover cure? Let us know: barsandclubs@sfbg.com.

Goode is great …

0

a&eletters@sfbg.com

Before his dancers had even taken a single step, a huge round of applause greeted Joe Goode at his group’s 20th-anniversary concert at the Yerba Buena Center for the Arts. Goode is probably the best-loved choreographer in town. For two decades he has chronicled his generation’s unease about living in its own skin. When AIDS began to devastate this town in the early ’80s, Goode was there to speak out with pieces that were blunt, poignant, and theatrically savvy.

Goode is the poet of anxiety, pain, and uncertainty. He’s able to see a major catastrophe on its own terms but also as a metaphor for what ails us. His heroes and they are heroes are the outsiders, the watchers, and the misfits whose values and existence society would like to deny. He has a self-deprecatory wit that makes us wince and laugh at the same time. And he has developed a genre of dance theater that’s exceptionally successful at blending speech and movement. Very few choreographers have Goode’s ability to use language so acutely.

The anniversary concert offered the standing-room-only audience two pieces, the new Stay Together, to a score by San Francisco Symphony music director Michael Tilson Thomas, and the haunting 1998 Deeply There (stories of a neighborhood).

In Stay Together, Goode tackles what is glibly summarized as the midlife crisis: when long-term relationships unravel, careers begin to meander, and time ahead is shortening. A secondary strand explores the process of creating a piece, of finding a direction in which to take it. The ever-efficient Liz Burritt, clipboard in hand and glasses on her nose, was there to give the largely silent Goode plenty of advice of the “listen deeply” and “be in the moment” type.

The challenge here for Goode was to make a work about being clueless without coming up with a piece that goes nowhere. It’s a challenge he doesn’t quite meet. To achieve “a perfect little euphoria” is, no matter what Burritt says, no easier in art than it is in life. Despite good collaborators and several splendid episodes, there’s something wan about Stay Together that makes for a disconcerting theatrical experience.

Tilson Thomas’s score is perfectly serviceable, with monochromatic sections punctuated by percussive elements. Several times it hilariously called up sci-fi and Movietone music associations.

Goode and Melecio Estrella, as his maybe young lover, maybe younger self, had some telling shadowing duets together. During their first meeting, silhouetted against separate screens, heads longingly turning toward each other, they almost trembled with excitement and fragility. Throughout, Austin Forbord’s live videos contributed excellent tonal nuances and a sense of sometimes almost painful intimacy.

Stay Together‘s most theatrically cutting moment came with Marit Brook-Kothlow’s sex-starved Norma Desmond figure. The intensity of the character’s obsession split her screen image and spilled over into some vigorous dancing.

Deeply There remains one of Goode’s finest works. Robin Holcomb’s on-tape score, with its echoes of Shaker and Americana folk tunes, is inspired; the a cappella singing by Goode’s dancer-actors, haunting. With this quasi–musical theater work, Goode hones in on and pays tribute to a community that pulled together and learned to take care of and bury its own. Goode’s piece just barely avoids sentimentality by calling up equal measures of laughter and tears.

On many levels the piece remains disjointed. The outrageous Imelda figure (Ruben Graciani) and a voguing Jackie O sequence have little to do with the work’s subject except to point to the excesses of the times. These are the segments that today seem the most dated, perhaps because they look so innocent.

Yet the work rode an emotionally convincing trajectory from the opening prologue between Frank (Goode) and little Willis (Joshua Rauchwerger), who wants to know where Goode’s lover Ben is, to the last monologue about carrying on, however uncertainly. The scenes seamlessly flowed one to the next; the characters looked all too plausible. Estrella as the well-meaning goody-goody neighbor was positively nauseating, while Brook-Kothlow has grown in stature as D.D. the dog and Felipe Barrueto Cabello’s silent Mauricio has more backbone. The only false note remains Joyce (Burritt), Ben’s virago of a sister. She is still too much of a caricature. SFBG

joe goode performance group

Fri/9–Sat/10, 8 p.m.; Sun/11, 7 p.m.

Yerba Buena Center for the Arts Theater

700 Howard, SF

$16–$40

(415) 978-2787,

Dodge ball

0

› andrea@altsexcolumn.com

Dear Andrea:
You once ran from a letter from "Stretch," who was interested in stretching his scrotum. As someone with naturally occurring low-hangers, let me just say they seem to have minds of their own, finding their ways into the most unexpected places. A playful smack on the ass from my boyfriend can leave me writhing in agony. Even sitting can be risky. I don’t see any advantage to having low-hangers, unless, of course, Stretch finds them aesthetically more pleasing than more traditional balls.
Love,
Too Stretchy

Dear Too:
People who write in for ball-stretching advice rarely mention why they’d want to do such a thing, come to think of it. While many, I assume, are seeking sensations having something to do with gravity, drag, and, um, wind resistance, I’d file permanent scrotum-stretching with all the other piercings, dilations, and bifurcations. They are varyingly extreme expressions of the human yearning for self-transformation. While most people are content with, say, coloring their hair, decorating their skin, or acquiring an annoying faux-British accent, others feel driven to use their bodies as a plastic medium. While I agree with you that altering a particularly vital and vulnerable body part to swing ever more freely in the breeze seems ill-advised, it is not particularly surprising.

So, what is surprising? How about www.houseofgord.com? I’d never seen it myself until last week, when I was hanging out with the usual band of geeky freaks, plus some new ones with new freakinesses to share. At some point in these evenings someone will pull out a laptop, and then it’s time for show-and-tell, pervert version. This one is dedicated to human transformation into … furniture. That’s right: chesterfield fetishists. Breakfront freaks. OK, I exaggerate tables and chairs are more common inspirations, but there are also numerous ceiling fixtures and a human lawn sprinkler. You can, apparently, make a lawn sprinkler out of nothing but a girl, a rubber suit, some tubing, and oh, never mind. I can’t describe it. You’ll have to go look for yourself.
Love,
Andrea

Dear Andrea:
I think I have a crazy foot fetish. I love it when a woman gives me a back massage with her feet. I like it when a woman knees/kicks me in the balls and I fall to my knees in pain at her feet. I reckon I would probably love it if a woman continuously kneed/kicked me in the balls until I surrendered. What’s wrong with me?
Love,
Kick Me

Dear Kick:
Eh, nothing much. You’re a run-of-the-mill kinky foot-fetishizing ball-kickee male submissive; join the pack.

Getting groin-kicked is surprisingly common fantasy material, although perhaps unsurprisingly, few guys really wish to act out the full-contact version. Many men, for instance, are willing to pay a well-shod woman to sorta kick them in the balls. Of course, there are people who wish to go all the way there always are. For every few thousand fantasized castrations, there’s one superdedicated guy who actually goes out and does it. Hell, there have been at least two cases where someone who wanted to die actually contracted with someone who wanted to kill, the most famous of which involved not only murder but cannibalism. It does, indeed, take all kinds.

Compared to some of those kinds you are hardly weird at all. What you might be, though, is unfulfilled. While there are numerous "goddesses" and the like willing to pop you one in the nuts, most will charge you stiffly for the privilege. If you can afford it, great. Otherwise, there are of course fine consumer products available from places like you guessed it www.groinkick.com.

There are reasons besides money why many men would rather dream of being groin-kicked than actually experience it, as should be obvious upon a little reflection: It hurts, and it can cause permanent damage. Do be careful.
Love,
Andrea

Dear Andrea:
I used to kick (and knee) my brother in his testicles a lot (I still do sometimes). He thinks that he can no longer have kids. Is this true? Can a guy be unable to have kids from being kicked in the testicles?
Love,
Balls-Busting Sis

Dear Sis:
You still do this? What the hell for? Do you think it’s funny?

That wasn’t a rhetorical question. I really do hear quite often from men who find that women think kicking them in the balls is funny. As I’ve written before, it seems to have some sort of pseudofeminist, "get back at ’em and get ’em good" kind of component, but you know what? It’s not political, and it’s not funny. It’s just loutish, stupid, and mean.

It’s unlikely but possible that your brother has been rendered infertile by your mistreatment, especially if both testicles are badly damaged. He ought to have his balls examined, and, if he’s been allowing you to beat him up all these years, perhaps you both ought to have your heads examined as well.

Love,

Andrea

Andrea Nemerson has spent the last 14 years as a sex educator and an instructor of sex educators. She is currently preparing to give birth; thus we’ll be rerunning some of her favorite columns from adventures past until she recovers. Visit www.altsexcolumn.com to view archived columns.

The cable that bind s

0

› sarah@sfbg.com

Oakland, San Francisco, and other California cities have in recent years tried to negotiate maximum public benefits under their franchise agreement with cable television provider Comcast, but all have backed down when the telecom giant threatened costly litigation.

The latest episode played out May 30 at the Oakland City Council meeting when the council voted to repeal an ordinance that would have required franchisees like Comcast to allow workers to decide whether they want to form a union.

Comcast dubbed the “Wal-Mart of Telecom” by the American Right to Work Foundation not only sued Oakland over the ordinance but also decided to void a tentative franchise agreement with the city that had taken three and a half years to work out.

Comcast officials claim the company walked away from the contract because two years had elapsed since major parts of the agreement had been hammered out and during that time the competitive field had shifted.

As for the lawsuit, company officials argue that Oakland’s union ordinance is preempted by federal law and that the city doesn’t have a “proprietary interest” in its franchise.

A proprietary interest occurs when a city has to manage critical public rights-of-way, such as streets, alleys, and utility easements, and must make sure it receives fair compensation for the ongoing use of those public properties by private entities, like Comcast.

In such situations, a city must ensure the efficient and cost-effective management of its public rights-of-way and must maximize benefit and minimize risk, including the risk of a labor-<\h>management conflict that could arise from a union organizing campaign.

That, at least, was the argument the city of Oakland made when it drew up its labor ordinance, and it was the argument that city council president Ignacio De La Fuente continued to make at the May 30 council meeting.

Councilmember Desley Brooks managed to sound like a Comcast apologist by claiming the city had been wrong to pass the ordinance in the first place.

“We knew that when this ordinance was passed, we had no basis to do it,” Brooks said. We can try and justify why we did it, but federal law is settled in this matter.”

But De La Fuente was joined by Councilmember Jane Brunner and Vice Mayor Jean Quan in insisting that the city wasn’t backing down because it was wrong, but because it couldn’t afford to fight with a deep-<\h>pocketed monopoly in court.

That was the same argument that led the San Francisco Board of Supervisors to narrowly approve a four-year contract extension with Comcast last September, rather than negotiate better public access and other community benefits as part of the contract.

San Jose, Walnut Creek, and other cities have also been tied up in expensive litigation with Comcast, which has virtually unlimited resources and a willingness to spend big in court fights and the political arena. But a bill now moving through the California State Legislature has the potential to shake up the cable television playing field some say, in ways that are hard to predict.

The Digital Infrastructure and Video Competition Act, authored by Assembly speaker Fabian N??ñez, seeks to allow telephone companies like AT&T and Verizon to provide television services through fiber-<\h>optic lines and thereby compete with Comcast and other cable providers.

The landmark bill, AB 2987, cleared the Assembly on a 70<\d>0 vote the day after the Oakland City Council repealed its ordinance. It is now awaiting consideration and possible modification by the Senate.

It is being watched carefully by Communications Workers of America, which represents 700,000 workers nationally, including 2,000 in the Bay Area, and is one of the few labor unions that is growing.

As CWA field coordinator Lisa Morowitz explained, for cities to take on Comcast individually, as Oakland, Walnut Creek, and San Jose have tried without success to do, is like David fighting Goliath.

“It’s one step forward, two steps back,” Morowitz told the Guardian. Nevertheless, she believes Oakland has substantial leverage in future negotiations with Comcast, precisely because of the N??ñez bill.

“CWA supports AB 2987,” Morowitz said, “because we believe it’s going to create conditions more favorable for cities, communities, and workers by bringing competition to video service.”

She acknowledged that the bill won’t directly address the issues raised during Oakland’s ordinance battle, but, she said, “theoretically, it will create more accountability.”

CWA argues that in addition to creating competition in the video services marketplace, the bill will replace city-by-city franchising deals that have led to steep rate increases, protect revenue streams for local governments, and expand local tax bases.

But Sydney Levy of San Francisco<\d>based Media Alliance worries that it will simply help the titans of industry and not the communities they supposedly serve.

“I understand that labor thinks it has a better chance of being able to organize within companies if there’s more competition and AT&T is pitted against Verizon is pitted against Comcast,” Levy told us. “But I disagree with CWA on how to have that competition be fair. It’s like energy deregulation. It sounded cute, but it wasn’t. So, we can’t be stupid this time around. We need to do it in a way that’s good for cities, consumers, and communities.”

The goal of franchise agreements that cities enter into with cable companies is to ensure that providers cover the entire city, provide public affairs programming, and pay for their use of public rights-of-way.

“But with the new bill, there’s no enforcement, no contractual obligations, no timetable,” claimed Levy, who worries that under the proposed arrangement Comcast’s competitors could say, “We can’t put fiber everywhere; we’ll upgrade as we see fit.”

“But that’s not good enough,” said Levy, who also worries that the bill will screw up community media locally and that redlining providing new services in higher-<\h>income neighborhoods while bypassing areas already underserved by broadband services may well occur.

And then there’s the sticky matter of ceding control to Sacramento.

“If we don’t have the ability to complain at the city level, then we’ll have to take all our fights to Sacramento, where we don’t have equal access,” Levy said. “That would be disastrous for local decision making.”

To his mind, AB 2987 is about cable vs. phone companies, and not about what’s best for the public interest.

“Having competition is a good thing for cities, consumers, and communities, but having competition that is unfair to communities and dismantles protections is not. We need to fix what’s in the Senate version,” he argued.

Levy believes that Comcast is playing a wait-and-see game as the N??ñez bill makes its way through Sacramento and that Oakland should continue to negotiate with Comcast for the best franchise deal possible.

“Because it may be the last franchise deal Oakland gets,” he explained, warning that if AB 2987 passes unmodified in the Senate, “we’re going to go from an irresponsible monopoly system to one that’s a system of unfair competition.”

But N??ñez deputy chief of staff Steve Maviglio told the Guardian that without the N??ñez bill, “cities have as much choice as they did in the former Soviet Union…. This bill is a powerful incentive for other providers.” Maviglio said that the bill language could still be modified in the Senate, but that its basic goal is clear.

“We hope this bill will save consumers money, lead to more competition, and prevent redlining,” he said. “We want to make sure under<\h>served communities don’t get left out of the digital picture.”

Comcast is the 800-pound gorilla lurking behind the vote in Sacramento, the force that all cities are looking to find some leverage against.

San Francisco supervisor Ross Mirkarimi told us that the Board of Supervisors had tailored legislation that mimicked Oakland’s union-<\h>organizing ordinance but abandoned it on the advice of CWA and the SF Labor Council because of what was happening to Oakland at the hands of Comcast.

To Mirkarimi’s mind, the best solution is neither piecemeal ordinances nor statewide laws, but for cities to municipalize their telecom and Internet systems.

“We would not be facing these kind of legal challenges if San Francisco was able to municipalize,” he told us.

And that’s precisely what San Francisco is now pursuing. A proposal by Sup. Tom Ammiano to study the creation of a citywide municipal broadband system to be installed as streets are opened up for sewer lines or other infrastructure needs was recently put out to bid.

Ammiano told the Guardian he expects to get some preliminary indications as to whether the system would be viable as soon as this summer, and he’s confident San Francisco will ultimately be in the position to offer television and other broadband services to city residents.

Mirkarimi, who supports the proposal, said it’s the best hope to “redeem our utility democracy as it pertains to our cable industry.” SFBG

Thimk!

0

› andrea@altsexcolumn.com

Dear Andrea:
When my husband and I first got together in our mid 40s 10 years ago, he was fairly adventurous in bed, and I’m sure you saw this coming, but now the sex is really boring. No spontaneity, nothing different than intercourse, no passion. It’s like brushing your teeth a necessary nuisance except it gets the sheets dirty.

I know I have half the blame, but when I’ve come on to him at other than the "usual" time and location, he’s tired or has something else important to do that I didn’t know about. He does work long hours. I’ve tried fancy underwear. Sex toys don’t really interest him. Bubble baths are history. He prefers to shower alone. I’m reluctant to arrange for an X-rated video because the ones I’ve seen can be really distasteful. And I don’t want to get sexually aroused by something that doesn’t excite him.

We love each other very much, and neither of us is getting any action on the side. Suggestions?

Love,

Midlife Stasis

Dear Stace:
See, this is why I hate sex advice columns. We’ve been out here for decades, dishing out the same old tired cure-alls (well, not me, of course!) without, frankly, really having the slightest idea if they work or not. There are efficacy studies on therapy but not, as far as I know, on fancy underwear or weekends away, and yet off everyone dutifully trudges to the bed-and-breakfasts and the Kama Sutra Dust and the surprise appearances naked except for (choose two) frivolous footwear, plastic wrap, leather collar, chocolate sauce. Is it any wonder that by now people with troubled sex lives just sort of automatically print out one of these mental checklists and grimly put themselves and their partners through the paces, exactly the same way they got themselves into trouble in the first place? Keeping a sex life lively takes thought, not just a menu of goofy variations, and bringing one back from the dead takes just as much thinking, if not more. Put down the list and let’s think about this.

First off, I ask you to differentiate between "seriously no more exciting than brushing your teeth" and "normal for 10 years into a midlife relationship." Not that I think the latter has to be tooth-brushingly dull, mind you, but let’s all give ourselves a break and remember that things do tend to get a little, well, let’s call it "familiar," once we have enough years together under our belts. There are worse things than familiarity.

Next, I wonder if you have any idea what, if anything, he might be interested in trying. And not to slag your personal tastes or anything, but showering together and bubble baths are not sex acts; they’re hygiene acts, and rather femmy ones at that. Nice enough as far as they go, but I’m not surprised he wasn’t overcome with passion at the mere idea of sharing a moisturizing lilac-hibiscus bath bomb with you. The only thing on your list I see as having any serious hotcha-hotcha potential is the porn, which you are shying away from. I have no doubt that you’ve seen something icky, but there’s so much choice out there that I hate to see you shrug off the entire category without even taking a peek at the reviews on sex toy sites like Blowfish and Good Vibrations. Hardworking lesbians were paid inadequate wages to watch and review all that stuff! They’re bound to have seen something that both you and your husband would find acceptable. I notice that you didn’t say he finds porn distasteful, just that you have, in the past. Your concern that you might be turned on while he isn’t well, if that isn’t a bridge to cross when you get there I don’t know what is.

I don’t, by the way, recommend just swapping out his Sopranos DVDs for Driving Miss Daisy Crazy II without warning. You are not trying to trick him into an accidental resurgence of passion. Here’s what I suggest: You didn’t specify “the ‘usual’ time and location," but you did say you have one. If it isn’t earlyish in the morning, in bed, try that. Few men, even busy, tired men, will turn down a roll in the hay if all it takes to get one is rolling over. If it works, you can talk later, emphasizing not the part about how unsatisfied and neglected you’ve been feeling, but how nice it was to rekindle things all accidental-like this morning what fun! And damned if it didn’t leave you feeling a bit frisky. Would he like, perhaps, a little blow job? Or how about you set aside Friday evening to watch some of these prevetted, guaranteed nondisgusting, and yet oddly stimuutf8g DVDs you rented? I don’t expect this to work in the absence of an afterglow or some reasonable facsimile thereof, so strike while the iron is, if not exactly hot, at least still plugged in.

Love,
Andrea

{Empty title}

0

May 24-30

Aries

March 21-April 19

Every life has dominant themes, Aries. It’s sort of like how you can always identify a Guns N’ Roses song — they’ve got that sound. Your own dominant sound, or theme, or whatevs, will be playing itself out majorly, and we urge you to get grounded in the present so you can handle it creatively and hold on to your power.

Taurus

April 20-May 20

Taurus, check your ego. Seriously. You need to be sure that your ego is your amigo. Make a little bumper sticker about it and slap it on your ass. The reason your ego is so crucial is that it’s a great week to be putting yourself out there, and we want it to be a success. Take care and you may even get laid.

Gemini

May 21-June 21

Don’t let the vibrant, wonderful energy you have turn you into a scatterbrain, Gemini. It would be such a waste of beautiful potential. Harness your mind and brush away any details that do not serve the larger picture of what you want for yourself. Think big; the tiny stuff will fall into place once you understand your limits.

Cancer

June 22-July 22

Cancer, you have Olympian potential, a tremendous capacity for achievement and growth. You’ll find that your greatest strengths emerge when you are emotionally checked-in, engaged with all your energy, and fabulously open to all that has cropped up in your sphere.

Leo

July 23-Aug. 22

It’s time to bump your game up to the next level, Leo. Are you ready? Like, really ready? If you’re going to take it to the next level, you’re going to have to leave behind things that are still unresolved. Sometimes we have to cut our losses and move on; this is one of those times.

Virgo

Aug. 23-Sept. 22

Virgo, when your head turns into your worst enemy, we’ve got some suggestions. Stay focused on openness. Imagine doors swinging open, a big fat pretty flower blooming wide, whatever imagery floats your boat. Stay positive, and don’t isolate.

Libra

Sept. 23-Oct. 22

Damn, Libra, are the people around you freaking out or what? Well, at least it’s not you this time. It would be nice for you to show up for your friends, but make sure you’re balancing their needs with your own. You can be sort of codependent, and you need to lovingly challenge that.

Scorpio

Oct. 23-Nov. 21

Scorpio, the universe has given you a whopping gift. You are being presented with the opportunity to love yourself in the presence of someone you love! Whoa, that’s extra-double love! We at Double Team Psychic Dream love all things double. Be clear about what you need to keep the love flowing both ways.

Sagittarius

Nov. 22-Dec. 21

It’s time for us to have that talk with you, Sag. You know, the love and sex talk. We think you’re old enough, and you should hear it from us and not on the street, or from a sex advice columnist. You need to figure out what you want from love and sex. Let yourself get mushy. This is the best way for you to spend your week.

Capricorn

Dec. 22-Jan. 19

Capricorn, you’re allowing yourself to get distracted. And by what? Details and anxiety! These little bastards are tripping you up, making it hard to stay present with the larger things manifesting in your life right now. There’s a few ways you could handle this, and we’ll suggest a classic: Go slowly and breathe.

Aquarius

Jan. 20-Feb. 18

It’s like a bunch of magical little fairies are buzzing around you, Aquarius, offering you baskets of fruit. And you love fruit. But this shit ain’t ripe yet. It’s sort of bumming you out. Feel your crummy feelings, but know that things will turn around by the end of the week.

Pisces

Feb. 19-March 20

Pisces, we’ll tell you what you want to hear: It’s a great week to fall in love, your favorite activity. But it’s an even better week to invest in what you already love. Either way, your week is chock-full o’ luv, and we urge you to enjoy it. Put yourself in situations that support your emotions. SFBG

 

Award-winning writer Michelle Tea and intuitive counselor JessicaL lanyadoo have been fraternizing with fate for the past lucky seven years. Call Lanyadoo for an astrology or tarot reading at (415) 336-8354. Write to Double Team at lovedoubleteam@hotmail.com.