SECA ’08, ‘Bay Area Now 5’ unveiled

Pub date May 23, 2008
SectionPixel Vision

taubaauerbach kl SML.bmp
A work from Tauba Auerbach’s book, How to Spell the Alphabet.

By Glen Helfand

New York Times art critic Roberta Smith began her review of the current Carnegie International in Pittsburgh with a pulse-taking statement: “Lately, it seems, biennial exhibitions don’t do much except sit there, looking good and offending no one. Instead of being shows that people ‘love to hate,’ or vice versa, these big, often international affairs now inspire mild interest or resigned indifference.” That statement may resonate a bit more in biennial-intensive towns like Manhattan or Venice, Italy. In San Francisco, where the arts are less widely celebrated, the biennial concerns seem to coalesce around issues of regionalism or the perpetually problematized thing we call “Bay Area art.”

So it seemed fitting that Yerba Buena Center for the Arts and the San Francisco Museum of Modern Art made back-to-back announcements yesterday, May 22, as to the inclusions in, respectively, “Bay Area Now 5” and the “2008 SECA Award” – both the most high-profile exhibitions of artists living and working here. The Yerba Buena folks threw a press lunch, at the fittingly titled new wine bar, the Press Club, and an evening member’s soiree in their theater to celebrate their forthcoming show, actually a triennial, which opens on July 19 and runs through Nov. 16.

In the late period of international biennials, it seems that institutions are upping the ante a bit with higher concepts and more elastic geographical borders. In recent years YBCA has been working with tiers of themes and structures – a standard gallery show plus four guest-curated shows at various venues – that tend to muddle the excitement with structural complications. BAN is no exception. A glance at the press release doesn’t suffice: you’ve gotta look deeper to figure out the scope. “Bay Area Now 5,” which was curated by Kate Eilertsen and Berin Golonu, has the attached subtitle “Inside/Outside,” referring to the not-so-provocative premise that “artists are influenced by their experiences both inside and outside the Bay Area.”