Volume 41 Number 10

December 6 – December 12, 2006

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Songs of devotion

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Accessible to anyone who might be interested in a deeper understanding of his or her own senses, Nathaniel Dorsky’s book, Devotional Cinema (Tuumba Press), explores the physical properties we share with the film medium. Within the book, Dorsky draws upon films by Roberto Rossellini, Carl Theodor Dreyer, Yasujuro Ozu, and others to illustrate his insights on filmic language. But if another person were capable of writing Devotional Cinema, he or she could just as effectively draw upon Dorsky’s films, which connect intrinsic facets of cinema to intrinsic truths about human experience.
Capable of discovering at least half a dozen fields of vision (or planes of existence, or worlds) within a single shot, Dorsky’s films can fundamentally alter — and heighten — one’s own perception, and his editing skill, tapped by many local directors, is as fundamental to his work as his image making. Sam Mendes took American Beauty’s floating bag sequence from Dorsky’s Variations, which he read about during filming. (Dorsky has noted that the image isn’t a new one — and it isn’t necessarily the richest among his luminous, phantasmagoric visions.)
In conversation with filmmaker Michelle Silva of Canyon Cinema, Dorsky paraphrases the observation of his friend, anarchist writer Peter Lamborn Wilson (a.k.a. Hakim Bey), that we’re trapped in a “light age” of meaningless information. “In the dark ages, there were little areas of light, where there might be alchemical investigations,” Dorsky says. “Now we have to find little areas of darkness.” This week brings an opportunity to explore those little areas, at a San Francisco Cinematheque program that will present Dorsky’s three most recent films, Song and Solitude, Threnody, and The Visitation, in alphabetical and reverse chronological order. (Intro by Johnny Ray Huston)
SFBG I remember running into you last year when you might have been shooting Threnody. You were in Chinatown perched right over a parking meter, and you had your camera hidden underneath you. You were so still I almost didn’t notice you — you were blending in with the background. I started thinking about the rules of quantum physics and that it’s impossible to not affect the object that you’re observing. Yet you seem to manage to do just that in your films — you don’t disturb the environment.
NATHANIEL DORSKY If you’ve ever gone into the woods and sat very still for half an hour, all the animals will come back and gather around you. You have to be part of the inanimate world, so the animate world can feel relaxed and come around. Also, you can find these little psychic backwaters on the street — there are places where the energy doesn’t quite flow, and you can kind of tuck yourself [within those places]. It has to do with the angle of the light and so forth.
SFBG My interpretation of your film Song and Solitude is that it is like a silent odyssey through shadow words and the introverted psyche. There are several masks and layers of reality that you’ve collapsed into one. There’s a depth of field in many shots, and the different layers aren’t aware of themselves, while you’re aware of all of them. Could you talk about your visual language in the new film and your state of mind while making it?
ND There are a number of things involved. One is that I’d made a film right before [Song and Solitude], called Threnody, which was an offering to Stan Brakhage after his death. In that film I was trying to shoot images while I had a sense of Stan looking over his shoulder one last time while leaving the world, having one last glance at the fleeting phenomena of life.
Song and Solitude I made along with a friend, Susan Vigil, who was in the last year of her life with ovarian cancer. [She’s] a person who was extremely important to the San Francisco avant-garde film community and helped support the San Francisco Cinematheque throughout the ’70s and ’80s. She was a wonderful, wonderful friend. She came and looked at camera rolls every Friday when I’d get them back from the camera store. There was that atmosphere going on of being with someone so close who was also involved in a terminal illness. But also you might say that with Threnody the camera was placed somewhere back around the ears looking out of your head. In Song and Solitude I actually placed the camera in a sense behind my own head — for a feeling like looking through your own head out [at the world].
Most of my films are more about seeing or about using seeing as a way to express being. [Song and Solitude] is more about being, where seeing is an aspect of the being. The world is seen through the whole fabric of your own psyche as a foreground. Through that foreground exists the visual world, almost as a background.
I also wanted to see if I could photograph things which you’d traditionally call nature and things you’d call human nature with the same primordial sense, to see the slight rub of what human nature is and what nature is, where they are similar and where they feel different. How is muscular movement different from wind? I wanted the film to rest in a very primordial place in its visual essence.
SFBG One time I was questioning you about why we torment ourselves making films, and you said, “It’s to attract a mate.” Could you elaborate on that?
ND I myself met my friend Jerome, who I still live with, on the night that I premiered my first film, when I was 20. So in a way it happened right away for me. But I’ve worked for many people in the film industry as an editor, especially in the area of documentary, and at least three or four times I’ve worked for someone who was looking for a mate.
Once, a friend, Richard Lerner, was producing and directing a film on Jack Kerouac called What Happened to Kerouac?, which I edited. It came time to write out an enormous check to make a 35mm print from the video material. He was really hesitant, and he was single at the time. I said, “Don’t worry. There is no way you won’t get a permanent relationship from this film.” He got irritated, because it was something like the third time I’d said that to him. But a woman approached him after the film premiered at the San Francisco International Film Festival, and they’ve been married ever since.
That has happened with at least four other filmmakers. I worked with Kelly Duane, who made a wonderful film [Monumental] about David Brower, the guy who radicalized the Sierra Club. She was single. She met someone when she showed the film in LA at an environmental film festival, and now she’s married and has a child.
SFBG Is that why you’ve earned the reputation of being the editing doctor of San Francisco?
ND Yes. I work for a lot of single women.
But to answer your question in a more simple way: birds sing, and every February or March a mockingbird always appears in my backyard and sings all night. If it’s a bad singer, there can be trouble. One bird three years ago was not a good singer. It sang from February until the first week of July before another bird sang along with it — then it disappeared. But sometimes they sing for four nights, and it’s over. They’ve gotten someone, because they’re really good singers.
SFBG I’d never thought of filmmaking as a mating call, but you’re right.
ND Many people don’t understand that, and they try to win their mate by making horrible and aggressive conceptually based films. No one is drawn to them, and then they get even more conceptual and aggressive. It can be a downward spiral.
It’s difficult, because you’d think anyone who’d want to make a so-called handmade film would do so to have complete control of the situation. It’s also a chance to make a film that isn’t based on socialized needs. When you make your own individual film, it’s generally an opportunity to be completely who you are and share the intimacy with someone else. In my experience, the more purely individual a film is, the more universal it is. The less successful attempts at filmmaking occur when people are trying to make something which functions within the context of current belief systems. It’s like trying to get a good grade in society, even if it’s alternative society, rather than actually taking the risk of letting the audience feel your heart and your clarity and [to] touch them with that.
SFBG We might be in a dark age in architecture, design, fashion, and everything that involves representing ourselves visually. Aesthetics are ignored, intellect isn’t challenged, nor is spirituality. In contrast, all of those things are at the foundation of your work. Does it bother you that the audience is small?
ND I’m not sure. I’m 63 now, and in the last few years while showing my films in Europe and Canada and the US, I’ve noticed that people in their 20s are really loving them. There’s some kind of interesting face-off between my own generation and people who are in their 20s now.
Within the avant-garde there’s the virgin syndrome, which is that every showcase will only show a film that’s never been screened before. Everyone wants a virgin for their temple. A good avant-garde film is made to be seen 10, 15, 20 times. But because of the virgin syndrome, because they only sacrifice virgins at the temple altar at this point, audiences rarely get to experience a film a number of times.
SFBG Lastly, I want to ask about the roles of silence and sound in your films. Do you prefer silent films?
ND The first time I saw a silent Brakhage film, it seemed quite odd. If you’re used to having sugar with your coffee and someone gives you coffee without sugar, you might find it strange. But you can also get used to it, so that when someone puts sugar in your coffee it seems sort of obnoxious.
It’s an acquired taste, silence, definitely an acquired taste. But once acquired, it has many deep rewards. For one thing, a sound film is more like sharing a socialized event, where to me a silent film is more like sharing the purity of your aloneness with the purity of someone else’s aloneness. The audience has to work a little harder, of course, to participate — everything isn’t just spoon-fed to them. But if they do work a little bit harder, they’re more than rewarded for that effort.<\!s>SFBG
SILENT SONGS: THREE FILMS BY NATHANIEL DORSKY
Sun/10, 7:30 p.m. (sold out) and 9:30 p.m.
Yerba Buena Center for the Arts
701 Mission, SF
$6–<\d>$10
(415) 978-2787
www.sfcinematheque.org
For a longer version of this interview, go to www.sfbg.com/blogs/pixel_vision.

Mining metadata

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The Board of Supervisors’ Rules Committee unanimously recommended Nov. 30 that all parts of a city document should remain in the public domain, including the document’s electronic fabric, or metadata.
If approved by the full board, which seems likely, the decision will signal a victory for a small but vocal group of activists who view metadata as an important front in the battle for public access to government documents.
Metadata is defined as data about data — information that can reveal nuances of a document, such as where it was created, how it was modified, and when it was transmitted. If you know how to use the Track Changes function in Microsoft Word, for instance, you can glean how a document’s numbers were calculated or how its text evolved.
Local activists Allen Grossman and Kimo Crossman argue that such access to city documents is one of our privileges as citizens: we pay for city government to represent us with our tax dollars and therefore have the right to track almost everything it does — down to the faintest of electronic fingerprints on an Excel spreadsheet. Grossman and Crossman got involved with the fight for metadata when board clerk Gloria Young denied their request for a copy of the Sunshine Ordinance in its original Microsoft Word format.
“Are we gadflies, whatever that means?” Grossman asked the Guardian the day before the Rules Committee made its recommendation. “I don’t think so. I think we have an interest in making sure that everyone else knows what’s going on.”
Some city officials say that granting boundless access to documents and their metadata is risky. Deputy city attorney Paul Zarefsky wrote a five-page memo expounding the dangers: it could let hackers into the computer system; it could leave city documents open to manipulation; it could burden city officials with more data awaiting redaction.
He and Young proposed that all city documents should be presented to the general public as PDFs, or portable document formats, which would exclude any metadata from the original document.
The Rules Committee’s recommendation unanimously rejected that proposal. Supervisor Ross Mirkarimi argued that while requests for metadata might be a nuisance to city officials, the city is still responsible for providing “all native data” to the general public that is consistent with the Sunshine Ordinance. When Supervisors Tom Ammiano and Sean Elsbernd agreed, room 263 at City Hall erupted with applause.
“The fact is that we’re entitled to see all public information that is not exempt,” Grossman told us. “To the extent that public information is buried in the other data, the metadata, we’re still entitled to see it.”

Blood in the water

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Mayor Gavin Newsom has long been considered a lock for reelection next year, a belief driven by his same-sex marriage gesture, hoarding of political capital, personal charm, and high approval ratings. Yet Guardian interviews with more than 20 political experts and insiders from across the ideological spectrum indicate that Newsom may now be more vulnerable than ever.
Just as San Francisco politicians are starting to calculate whether to run, the Newsom administration has suffered a series of political setbacks. In November alone, most of Newsom’s picks got spanked during the election, his veto of popular police foot patrol legislation was overridden by the Board of Supervisors, and he was caught off guard by the San Francisco 49ers’ announcement that they were moving to Santa Clara, taking with them Newsom’s hopes of landing the 2016 Summer Olympics.
“Until recently, I didn’t have a lot of hope,” Sup. Chris Daly, whom Newsom unsuccessfully worked to defeat, told us. “Now the progressives have a glimmer of hope. The mayor seems to be hurting from three or four episodes where he was caught with egg on his face.”
To many political observers — most of whom the Guardian allowed to speak anonymously in order to capture their most candid observations and plans — the defeats were indicative of a mayor who seems increasingly disengaged and out of touch. Even Newsom’s strategy of avoiding fights that might hurt his popularity has rankled many of his allies, who complain that this risk-averse approach has allowed the Board of Supervisors to effectively set the city’s agenda.
“This guy does not use one scintilla of his political capital on anyone or anything,” said former mayor Art Agnos, whose name has been dropped as a possible challenger to Newsom but who told us, “I’m not running.”
There are a number of strong anti-Newsom narratives out there, even on his signature issues, such as crime and homelessness, which persist as visible, visceral problems despite increased city spending on homeless services and controversial tactics like police sweeps and one-way bus tickets out of town for vagrants.
The mayor started his term by announcing during a radio interview that if the murder rate rose, he should be ousted from office. It did — remaining at 10-year highs through the past three years — handing his potential opponents a ready-made sound bite. The crime rate could be a powerful weapon when paired with Newsom’s failure to follow up on promises of police reform.
Newsom is still likely to offer up a long list of accomplishments in his usual statistics-laden style. But much of what he tries to take credit for was actually someone else’s initiative, such as the universal health care measure crafted by Sup. Tom Ammiano (who is running for the State Assembly and not taking a third run at the mayor’s office). Adding to Newsom’s problems in November was the lawsuit the Golden Gate Restaurant Association — a Newsom ally — filed challenging the measure.
Almost everyone we interviewed agreed that if Newsom does have approval ratings of around 80 percent, as has been reported, that support is very soft and may significantly erode during the campaign. “His support is an inch deep and a mile wide” was how one political analyst put it.
“His ‘skyrocketing’ approval rating is irrelevant,” one downtown politico told us. “People approve of the mayor like they approve of the color beige. If you fill an arena with 50,000 people and ask them to decide on what color to paint the walls, that color will always be beige. It’s not that they necessarily like beige; it’s that they will accept it as long as those freaks who want hot pink don’t get their way.”
And then there are his personal foibles. Newsom’s choice of girlfriends — from the Scientologist actress to the 19-year-old hostess — has found its way into print and caused the mayor to lash out in brittle ways that have hurt his relations with once-friendly outlets like the Chronicle, which openly mocked Newsom’s televised comments last month about how hard his job is and how he might not run for reelection.
Finally, there are the new electoral realities: this is the first mayor’s race in which challengers will receive public financing from a $7 million fund (almost all of which, Newsom campaign manager Eric Jaye argues, will be aimed at doing damage to Newsom) and the first with ranked-choice voting, allowing candidates to run as a team and gang up on the mayor.
Add it all up, and Newsom looks vulnerable. But that’s only the first part of a two-part question. The trickier part is who can run against Newsom, and that’s a question to which nobody has any good answer yet.
THE FIELD
Among the names being dropped for a mayoral run are Dennis Herrera, Aaron Peskin, Ross Mirkarimi, Matt Gonzalez, Kamala Harris, Mark Leno, Agnos, Susan Leal, Angela Alioto, Lou Girardo, Warren Hellman, Jeff Adachi, Tony Hall, Leland Yee, Daly, Michael Hennessey, Quentin Kopp, and Carole Migden. That’s quite a list.
Yet most say they are disinclined to run this time around, and none are likely to announce their candidacies in the near future, which is when most observers believe a serious run at Newsom would have to begin. Here’s the catch-22: nobody wants to run against Newsom unless his approval rating sinks below 60 percent, but it’s unlikely to sink that low unless there are rivals out there challenging him every day.
Two candidates who already hold citywide office and could aggressively challenge Newsom on police issues are Sheriff Hennessey and District Attorney Harris, both of whom have mainstream credentials as well as supporters in the progressive community. But both have expressed reluctance to run in the next mayoral election, at least in part because they’re also standing for reelection this fall and would need to leave their jobs to run for mayor.
Public Defender Adachi is a favorite of many progressives and could also run on police reform, but his job of representing sometimes heinous criminals could be easy for the Newsom team to attack Willie Horton–<\d>style.
Many of the strongest potential candidates are thought to be waiting four more years until the seat is open. City Attorney Herrera can take as much credit as Newsom for gay marriage and is a tough campaigner and formidable fundraiser who has clearly been setting himself up for higher office. Assemblymember Leno has won over progressives since his divisive 2002 primary against Harry Britt and could be mayoral material, particularly because he’s termed out in two years. But both are allies of Newsom and reluctant to run against him.
Several supervisors and former supervisors would love to beat Newsom, but the road seems steep for them. Daly just got beat up in his own reelection, so his negatives are too high to run again right now. Supervisor Mirkarimi might run, but some consider him too Green and too green and are urging him to wait four more years. Board President Peskin could also be a contender, but some doubt his citywide appeal and note a few bad votes he’s cast.
Challenges from Newsom’s right could include Kopp, the former legislator and judge; Hall, the former supervisor whom Newsom ousted from his Treasure Island post; businessman and attorney Girardo; financier and philanthropist Hellman; and Alioto, who ran last time. But these would-be challengers are generally less liberal than Newsom, who pundits say is as conservative a mayor as a town with an ascendant progressive movement will tolerate.
Finally, there’s Gonzalez, who four years ago jumped in the mayor’s race at the last minute, was outspent by Newsom six-to-one, and still came within less than five percentage points of winning. Many progressives are urging him to run again, noting that he is still popular and has the political skills to highlight Newsom’s shortcomings. But Gonzalez remains cagey about his intentions.
“I don’t believe I’m running for mayor. The chances are slim,” Gonzalez told us. “But I think he needs to be challenged.”
TEAM NEWSOM
Newsom campaign manager Jaye says he’s definitely expecting a challenge. And unlike most observers whom we spoke with, who are surveying the field and not seeing many people jumping in, Jaye expects a crowded free-for-all and a tough race.
“Is it likely to be a highly contested mayor’s race? Sure. Is that a good thing? Yes, I think it is,” Jaye said. “Every race in San Francisco is tough. The school board races here are fought harder than some Senate races.”
But Jaye thinks the new public financing system — in which mayoral candidates who can raise $135,000 will get $450,000 from the city — will be the biggest factor. “That’s one of the reasons I think everyone’s going to run,” Jaye said. “That guarantees it will be a crowded field.”
One political analyst said that’s the best scenario for defeating Newsom. He said dethroning the mayor will be like a pack of jackals taking down an elephant. No single challenger is likely to beat Newsom, but if he’s being attacked from all sides, he just might fall.
As for Newsom’s weaknesses and missteps, Jaye doesn’t agree the mayor is particularly weak and doesn’t think people will turn away from Newsom because of his candid comments on how the job cuts into his personal life.
“One of the reasons so many people like Gavin Newsom is he’s not afraid to be human in public and to be honest,” Jaye said, adding that his candidate is up for the challenge. “He is running for real and will run a vigorous race.”
Jaye concedes that the 49ers issue is difficult: Newsom will be hurt if they leave, and he’ll be hurt if he appears to give up too much to keep them here. The high murder rate and inaction on police reform are widely considered to be vulnerabilities, but Jaye said, “Gavin Newsom gets up every day and works on that problem, and if voters think another candidate has a better solution, they’ll look at it.”
Everyone agrees that candidates will enter the race late — which is what happened during the last two mayor’s races and is even likelier with public financing. If Newsom takes more hits or can’t get his head into the game, the sharks will start circling. “The next three months with what happens with the mayor will be telling,” another political insider told us.
One test will be with Proposition I, the measure voters approved Nov. 7 asking the mayor to show up for a monthly question time before the Board of Supervisors. Newsom reportedly has said he won’t come, which could look cowardly and out of touch to the voters who approved it and to the supervisors, who might make great political theater of the no-show. And if Newsom does decide to show up, most observers believe he might not fare well in such an unscripted exchange.
If Newsom implodes or appears weak in late spring, suddenly all those political heavy hitters will be forced to think about getting in the fray. After all, as just about everyone told us, nine months is like an eternity in San Francisco politics — and Newsom has the best job in town.

Pink-paint hate

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It was a little after 6 o’clock on the morning of Sept. 21 when Naomi Okada arrived to start her day at Lowell High School. The Japanese language teacher is often at work early, and after a short wait a custodian let her into the building. Okada made her way down the quiet, empty halls of the school and up a stairwell to the second floor, where she unlocked the door of the World Language Department office. She dropped her things by her desk, one among more than a dozen belonging to the language teachers who share space in the large office. As she entered the nearby kitchen to brew a pot of coffee, John Raya’s desk, in the corner by the door, caught her attention.
“I noticed there was paint all over his computer,” Okada told the Guardian. “My first impression was that it looked like a bucket of paint was poured over it.” Thick streams of pink liquid dripped from the monitor onto the keyboard and were splattered on the wall behind the desk and the chair in front of it.
She thought this might have been an accident, but since Raya was also an early riser and usually came in about a half hour after her, she decided to go look for him. She walked quickly down the hallway, past Spirit Week posters painted the same shade of pink, to Raya’s classroom. It was still locked. Moments later she ran into him in the hallway, and together they went back to the office.
Okada hadn’t yet passed close enough to the desk to see a note propped on the keyboard. It was Raya who would first read what it said:
“Big mouth fag!!!!! You start too much trouble in this department!!!! Mind your fucking business and go back to New York!!!!! Or Cuba or wherever the fuck you come from!!!!!”
“I was stunned,” Raya told us. “It didn’t hit me in the beginning. It was just bizarre. It didn’t make sense. And then the reality hit.”
Raya thinks the pink paint was chosen because he is gay and the words because he’s been speaking up about problems he sees in the language department in which he has taught French and Spanish for almost 20 years.
Soon the school’s interim principal, Amy Hansen, and assistant principal Peter Van Court would have the room closed off and guarded by security. John Scully, the police officer assigned to the school, would arrive to gather evidence that might identify who committed the hate crime.
And all of that would take just a few hours. The destroyed keyboard and desk chair would be removed and replaced. The paint would be wiped up, leaving spare vestiges of pink in the seams of the computer monitor and on the chalk tray behind it. By lunchtime it would seem as though this had never happened — and most of the school would still be unaware that it had.
Later, Inspector Milanda Moore of the San Francisco Police Department’s hate crimes unit would be assigned to the case, and Raya would ask her why a crime lab was not brought in. “She said that was Mr. Scully’s call,” Raya said.
“We didn’t really have a lot of evidence,” Scully told us. “I guess it’s a computer office classroom,” he said, misidentifying the room. “A lot of people touch computers. It would be hard to get a good fingerprint. I didn’t see the point.” He said rooms that see a lot of use and are heavily trafficked by kids are hard to fingerprint.
This, however, isn’t one of those rooms. It’s an office to which only faculty and administration have keys and access, and students are strictly forbidden from entering without supervision. And when Okada arrived for work early that morning, the door was locked, the lock was functioning fine, and there was no sign of a forced entry.
That’s led Raya and others at Lowell to a truly disturbing conclusion: the hate crime was committed, they suggest, not by a disgruntled student or misguided prankster but by a member of the faculty or an administrator.
If that’s true, then Lowell — the city’s premier public high school, a place that wins awards for its teaching and is lauded for its tolerant attitudes — has a staff member who has resorted to the sort of racist, homophobic act that’s rarely seen in San Francisco workplaces these days. And he or she still hasn’t been caught.
In fact, one of the oddest elements of this entire episode — and the fact that makes it more than a passing story of poor behavior — is the way the school administration has seemed to go out of its way to keep the whole thing under wraps. Students were never formally told what happened. Faculty were discouraged from discussing it. The student paper, the Lowell, was scolded for daring to print a story about it. Other than a student-organized response, there was no attempt to use the incident as a learning experience.
Some school officials are unhappy that the administration kept this so quiet. “I think that’s totally inappropriate,” Sarah Lipson, vice president of the Board of Education, told us. “We’ve tried so hard to be transparent. If you have no idea where this is coming from, you have to err on the side of transparency.”
And when we started to look into the crime, we discovered that it wasn’t an isolated event. The language department at Lowell is such a mess that a specialist in nonviolent communication has been hired to mediate. “It’s a very hot, polarized situation,” said Lynda Smith, a consultant with Bay Area Nonviolent Communication who works with couples and groups and teaches classes at San Quentin. “In my experience, the tension and the lack of trust in this department is one of the more extreme situations that I’ve encountered.”
The situation is raising some deep-seated questions about the way one of the nation’s top public high schools is managed.
Lowell is the kind of academic institution that inspires faith in the public school system. Last May, Newsweek ranked it 26 out of 1,200 top public schools in the country. Each year nearly 3,000 of San Francisco’s intellectually elite eighth graders vie for the 600 open slots, facing academic standards more rigid than those of any other high school in the city. The list of alumni is thick with Rhodes scholars and Nobel Prize winners, Beltway press secretaries and Ivy League college presidents.
The rigorous learning environment means “the students are so academically driven they rarely have time to look up from their books,” said Barbara Blinick, a social studies teacher and faculty sponsor of the school’s Gay-Straight Alliance (GSA). She thinks that’s what makes Lowell “one of the safest campuses in the city.”
“We fight over seats in the library,” student Beatriz Datangel said. “Last year someone got in trouble for throwing a cupcake.”
And Lowell has a reputation for being a safe and accepting place for queer students. “They’re not attacked, they’re not beaten up,” Blinick said.
“I have never been in or heard of a high school with as gay-positive an environment as Lowell has,” English teacher Jennifer Moffitt said. “That isn’t to say Lowell is perfect by any means, but it’s unusually open here. We have several openly gay faculty members as well as students.”
“Last year’s prom king and queen were both guys,” English teacher Bryan Ritter added. “And they both fought over the tiara.”
Which is why the hate crime committed against Raya was so shocking.
“I can’t believe that someone would target him,” Ritter said. “He’s such a nice guy. I don’t tolerate homophobia, and I can’t express how appalled I am that it’s happened in my own school.”
Ritter, like a majority of the faculty, first heard about the incident from Hansen the day after it happened.
Hansen told us she said “this was a horrible act, that it was an assault on all of us and we need to keep our ears open and be listening, because if students know and if students were involved, if you listen, kids talk.”
But if the incident was indeed an assault on “all of us,” the students were not included in that community. No public announcement was made to the student body. The monthly “Message from the Principal,” released just three days after the hate crime was discovered, painted a bright, sunny picture of a day in the busy life of Lowell, with Spirit Week in full swing and faculty steeped in annual curriculum development. There was no mention of the incident of hatred directed against a veteran faculty member.
“It seems to me it’s been downplayed from the very beginning,” said David Lipman, a Spanish teacher. “We were told at the beginning not to say anything to the students. So we didn’t say anything.”
“Somehow,” Lipman told us, “I’m just afraid that it’s not in the district’s interest to find out who did it. And it seems like no one will ever hear about it again.”
The school’s award-winning student paper, the Lowell, wasn’t comfortable with that approach. “The students hadn’t heard about it — that’s why we covered it in the paper,” said Ritter, who’s also faculty sponsor for the monthly publication.
Raya was very willing to talk about the crime with reporter Cynthia Chau, who didn’t have a difficult time getting details of what happened or leads as to why from him. Responses from the principal were not as forthcoming.
“She did talk to us, and she answered all of our questions,” said a reporter who assisted Chau with the front-page story. “Except for when it got to Raya’s allegations that were more controversial — when he said she hadn’t done enough to respond to the hate crime, about her showing favoritism, and that he had had a discussion with her about that. She said, ‘No comment, that’s between Mr. Raya and myself.’<\!q>”
After the story hit the hallways, Hansen scheduled a meeting with the journalism classes that publish the paper to discuss their moral obligations as reporters. Though Hansen had issues with a number of their articles, including the one on Raya, the overall impression the classes came away with was that she disapproved of them covering controversy.
“Her recommendation was that we shouldn’t report stories that may have a negative effect,” reporter Jason Siu said. “That doesn’t really work. As journalists, we should report the truth. If it’s happening on the Lowell campus, we should report it.”
John Raya has the quiet presence of the kid who sits in the back of the classroom minding his own business. The only edge in his otherwise soft voice is a Brooklyn accent, which dissolves when he speaks French or Spanish, the two languages he teaches at Lowell. It’s hard to believe he could incite enough animosity to drive someone to commit a hate crime against him.
But at Lowell he’s become the most vocal leader of an expanding group of teachers unhappy about the management of the language department.
Since June, Raya has been writing letters to various administrators and the Board of Education about what he perceives as inequities in the way classes are assigned to teachers and how students are selected for them. He’s been calling for more openness in decision-making processes, for a formal policy on who teaches which classes, and even for the department head, Dorothy Ong, to relinquish her position.
“Everyone in the department was getting copies of these letters,” Lipman said. “There were a lot of them. They were mainly in the weeks preceding the incident. They were about policy, fairness, equity — very professionally done. Your jaw dropped open because they pierced right to the heart. They were like when a senator is calling for the president to step down.”
High schools are often places where petty drama takes the stage as high art, where locker room cliques are nascent coffee klatches and conflict and competition are extracurricular activities. But behind the academic politics are sometimes real issues.
When Amy Hansen left Oakland’s Skyline High School to stand in as interim principal at Lowell for the 2006–<\d>07 school year, Raya was one of the first people to come by her office, a few days before school commenced in August. He wanted to talk about the World Language Department’s “long-standing history of conflict,” she said. “He raised concerns about how the department was run, he felt that he was not being treated fairly, and he raised a number of issues which I took seriously.”
At Lowell the 600 or so incoming students are asked to rank three options from the nine languages the school offers. Like many high schools in the country, Spanish is in high demand, second only to Chinese; more than half of Lowell’s students are Chinese American. Over the years, more sections of these popular classes have been added incrementally, but a concerted effort has also been made to skim off some kids into other, less popular languages, such as Korean, German, and Italian.
Herein lies the rift, which some view as philosophical — but which in practice leaves one person playing God. Every year about 100 unlucky students end up with the second or third language they picked. This balances the class sizes and lets the less-popular languages survive, but critics of the system think it undermines student choice — for the benefit of the adults who teach them. This year three Spanish classes and a French class were replaced with additional sections of German, Korean, and Advanced Placement Chinese in order to bolster the numbers.
According to Raya and his contingent, this was inexplicable, and so much tension existed in the department, they suspected the only reason it was done was to favor teachers who might otherwise be let go if the programs were cut.
“We voted as a department years ago — the languages that don’t support themselves, we’re going to let them die off,” Spanish teacher John Ryland said. Tagalog, Russian, and Greek had all seen the ax.
Part of the problem is that teaching at Lowell is a popular gig no one wants to lose. “There’s always the fear that a diminishing number of students taking certain classes leads to a change in who gets to teach classes and teach at Lowell,” social studies teacher Ken Tray told us.
It’s particularly rough in the language department, where changing preferences can mean the end of a job. “Other departments don’t have competition or concern that there will be enough kids signing up to teach their classes,” Tray said.
Ong, who decides which language classes to save (and who should teach them), denied there was any favoritism. “If you look at the whole picture, what is lost here? Nobody lost their job,” she said. “People can say I favor the lesser languages. I protect all languages as department head.”
Then there’s the AP issue.
Nearly 100 percent of Lowell students graduate, nearly all continue on to college, and the school’s basic requirements are geared toward getting them into at least the University of California system. Unlike many other schools, Lowell doesn’t limit the number of Advanced Placement, or college-level, classes a student can take, and many kids use them to heavily spice their transcripts and entice college admissions counselors.
For teachers, the advanced curriculum of AP classes is a chance to be challenged along with the kids. “Among teachers, there’s no shortage of desire to teach AP,” said Bryan Ritter, who teaches AP English.
And the school is happy to provide as many AP classes as it can. According to San Francisco Unified School District (SFUSD) policy, for every 20 AP exams that are taken by students, the district will fund one additional AP class. So 100 students testing means additional funding for one new teacher. “At Lowell we make a bundle off of that,” said Terry Abad, president of the Lowell Alumni Association.
The money is deposited in the school’s general fund, but rather than hire additional AP teachers, Lowell’s administrators ask staff members to teach multiple sections of AP classes. By doubling and tripling the number of AP classes one teacher instructs, the school frees up thousands of dollars to pay for other school services.
“From a financial perspective, if teachers weren’t teaching AP, we wouldn’t be able to fund school,” Abad said. “Without AP money Lowell would be a disaster.”
But another disaster is in the works, with overburdened teachers looking to dump classes and underburdened teachers wishing they could have them. “The idea of AP is to give a very intensive college experience and give teachers the time to properly attend to those classes. The whole system has been corrupted,” said David Yuan, an English teacher.
Nowhere in the school is that more obvious than the language department, where one teacher has four Chinese AP classes. “It’s a tremendous amount of work,” Xiaolin Chang said. “I’m hoping next year someone else will teach.”
Hansen said these concerns have not fallen on deaf ears. Two subcommittees have been established for reviewing the numbers to determine classes and another “to create policies and procedures that are written, so that it isn’t ‘I like you, I don’t like you, you’re cute, or whatever, the kids like you better.’ So that there’s some process,” Hansen said.
She refused to allow teachers to review old data to see if favoritism had played into past decisions and defended the language department chair. “I feel that in the limited time that I’ve been here, Ms. Ong deals with a staff of at least 18 or 19, all of whom feel passionate about their language, a complicated scheduling process, and I think she does a herculean task. She has the support of the majority of the faculty, who trust her and believe that she’s doing the best she can.”
Despite the concession to be included in future decision-making processes, Raya continues to wonder why there hasn’t been more of an effort to find out who trashed his computer and to rectify the rumors. “People still think a student did it. I’ve gotten lots of cards and e-mails from people, all supportive, but they keep thinking it’s a student,” Raya said.
But that seems almost impossible to believe, since no students had access to the area and there was no forced entry, “I would be very, very, very surprised if it wasn’t an adult,” Lipman said. “The note said you’re making too many problems for this department — students don’t know that.”
The district hired a private investigating firm, Brubeck and McGarrahan, to look into the situation, and Ellen McGarrahan released the findings of her investigation to SFUSD legal counsel Nov. 20. Her report states that 15 people — all faculty or staff — were interviewed. The investigators were unable to reach any conclusions.
But not everyone who uses the room was questioned. “I’m shocked that they haven’t questioned everyone in the department,” said Lipman, who was not contacted by any investigator. “I’m surprised they didn’t ask everyone what they knew. It seems like that would be the logical thing to do.”
Instead, on Oct. 23, during the middle of the school day, Raya was called downtown by Inspector Milanda Moore for almost three hours of what felt like a full interrogation. “My mistake was I didn’t get a lawyer. I didn’t think I needed one. She duped me. She said it was an interview,” Raya said. He told the inspector he didn’t have a key to the building or any knowledge of the security code to quell the alarm and was at a class at City College the night before and working out at the gym the morning the vandalism was discovered.
“She said, ‘Why don’t you take a polygraph?” I said, ‘I have no problem doing it, but I’ll do it on the condition that every administrator, every faculty member, and every student do it.’<\!q>”
Raya told her, “I’m the victim! Why are you asking me?”
At Raya’s interrogation, one of the letters he wrote to assistant principal Peter Van Court was touted as an example of how Raya was capable of orchestrating his own hate crime. “She [Moore] said to me the language in the hate crime note sounds like the language I used to Van Court in my letter. I said, ‘Excuse me, there’s nothing in that letter that says faggot.’<\!q>”
Inspector Moore refused to comment on this case, except to say it was still open.
Hansen is not a popular principal these days. Since September she’s been “dropping in” on classes for short observations, which she says are a way to get to know the school and encourage a pedagogical dialogue.
In theory, this sounds exactly like what an engaged administrator should be doing — but the practice has had a hard launch as teachers have perceived it as an opportunity for the administration to unfairly critique them at their jobs.
“The principal started off the school year wanting to have this intense conversation about our teaching. Dropping into classes was initially portrayed as a collegial part of an ongoing process of a development exercise,” said Ken Tray, a social studies teacher and United Educators of SF union representative. Instead, the principal’s practice of dropping into classes to casually observe teachers has created a backlash against her style and approach.
“A record number of grievances have already been filed this year,” Tray said. “Last year we had one grievance the entire year, and there were some very serious issues that came up.”
“They’re clearly a lot more than friendly, getting-to-know-you visits,” Yuan said. “There are a lot of people that are unhappy. It’s tense. This is essentially a new policy.”
An unprecedented meeting Nov. 2 drew more than half the faculty to a forum to air their concerns. Their biggest gripes: a lack of trust, a rush to judgment, issues with communication, a sense of top-down management, and a real worry that teachers were being unfairly evaluated, which is a violation of the contractual agreement between the teachers’ union and the district.
“Lowell does not have to be fixed,” Tray said. “It’s creating a faux crisis. What’s the issue here? We have outstanding students doing outstanding work. More punitive measures from the administration seem out of place.”
Some say Hansen may be a good principal who’s just at the wrong school. “I think she’s probably a pretty good turnaround principal,” Yuan said. “Her approach is good for schools with more difficult students.”
“I think everyone is pretty much united,” school board member Eric Mar said. “The principal is autocratic and doesn’t resolve conflict. The principal chosen is the wrong person for the school, and that’s one of the root causes for the conflict.”
November is Transgender Remembrance Month at Lowell. GSA posters commemorating transgender victims of hate crimes hang throughout the hallways, and on a busy afternoon the students rush by them, their arms loaded with books, their ears pressed to cell phones, appearing like the young professionals they hope to someday be.
When asked why the students weren’t informed or brought together as a group to discuss a hate crime on their campus, Hansen said, “We can’t, first of all, have a schoolwide assembly. We have 2,700 kids and we have an auditorium of 900 capacity.”
And she said, “We wouldn’t generally broadcast this kind of information. Whenever a computer’s stolen or something terrible happens, we don’t tend to broadcast it.”
However, the day before the hate crime was discovered, another teacher’s tires were slashed. Hansen went on the school’s broadcasting system, Radio Lowell, to denounce the slashing as an inappropriate way of dealing with anger and asked anyone in the community with information to come forward.
That wouldn’t necessarily be the way to handle a hate crime, but according to other professionals in the field, secrecy isn’t always the best route either.
Al Adams has handled a few hate crimes during his 19 years as a principal, even writing about a 1994 incident at his school, Lick-Wilmerding High, for the National Association of Independent Schools newsletter. He titled his article “When Homophobia Rears Its Head.”
“My rule of thumb with anything like this is to be open and honest and candid about it. That always goes a long way. Make sure the victim feels safe and also search out teachable moments,” Adams said.
“The most effective treatment of a hate crime is to shine the spotlight on it and make the perpetrators accountable,” said Sam Thoron, who recently retired after six years as national president of Parents for Lesbians and Gays (PFLAG), an organization he’s been involved with since his daughter came out in 1990.
He said there’s a fine line between shining a light and making too big a deal, but “burying something like this tends to make it worse.
“I would expect the school to make a clear and public statement that this is not acceptable, but it’s awful easy to hide these things.”
Barbara Blinick, faculty sponsor of the GSA, was worried about the lack of candor. “That was a fault. I do think that could have been done better. [Hansen] made a choice not to make it public. But everyone knew about it, everyone was talking about it, and that’s why the GSA wanted to respond.” Blinick spoke with Hansen shortly after the incident and arranged for the GSA to do the outreach.
“The students have been really brave and thoughtful and working so hard,” Blinick said. “We all agree it took too long, and some of the tardiness was that we wanted it to be perfect.”
On Nov. 30, more than two months after Raya discovered his defaced desk, an outreach bulletin written by the GSA was distributed to the students, with a cover letter from Hansen denouncing homophobic discrimination but without specific mention of Raya or the hate crime that happened in the school.
Communities United Against Violence does outreach in the SFUSD through a speaker’s bureau, a program founded by Sup. Tom Ammiano. The group is often contacted by schools after a hate crime occurs, and since 1978 some 70 volunteers have been visiting schools such as Washington, Galileo, Ida B. Wells, and Mission to talk about what it takes to have an open and supportive community, “but we don’t get invited to Lowell,” program director Connie Champagne told us.
“They need to be coming here,” Blinick said. “That’s a really easy way to talk about these issues. They should be hitting every 10th-grade classroom, and I thought that they were.”
The private investigator’s report has been finalized, with no conclusion about who may have targeted Raya. The city’s investigation is ongoing and already reeks of a case gone stale for lack of evidence and witnesses.
Nothing further about it has been said to the faculty, and nearly everyone questioned by the Guardian said they hoped to hear something more soon. Conditions in the department haven’t necessarily improved, and veteran teachers are already looking forward to the end of the year.
“Who did it? That piece needs to get solved for them to move forward,” said the mediator, Lynda Smith, who, after two sessions, was not invited back by the administration.
“I’m so discouraged now,” Raya said. “I’m just at low ebb. I’m really disgusted. I don’t want to leave Lowell. I love Lowell. I’m addicted to Lowell. But the morale is so low I think it’s going to be my time to go. I never thought I would.
“The sad part is it’s not the kids. They’re the ones I will miss the most. It’s sad that this has to prompt me at 50 years old, spending more than half my life in this profession, to decide that this is the time to quit.”

Editor’s Notes

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The death of David Ayoob didn’t get a lot of headlines. He wasn’t famous in that way; he never ran for office or made speeches. But everyone on Cortland Avenue knew him, and when he died suddenly of a heart attack at 53, Bernal Heights — and the city — lost a great citizen.
Ayoob ran 4-Star Video, and he was the essence of a good small businessperson. He was active in the community and friendly to everyone and treated his employees well. (When he opened a second shop on Potrero Hill, he made two former employees partners in the business and let them run the new outlet.) His shop felt like the neighborhood — full of a diverse collection of people, with plenty of kids and dogs running around. Everyone was welcome.
As one post on a Bernal listserv put it, “With David it was never just about running a business. Bernal was his family. He was a larger-than-life character. The fabric of the neighborhood is weaker, a bit less comforting, and a lot less colorful without him.” Sup. Tom Ammiano added, “He had such a wonderful heart, so generous.” We’ll all miss him.
The memorial for Ayoob is Dec. 9, 2 p.m., at St. Kevin’s Catholic Church, 704 Cortland, SF.
I’m liking Frank Rich’s most recent analysis in the New York Times, which has President George W. Bush in effect talking to the walls, like Richard Nixon in the final days, and utterly losing touch with reality. It’s not clear that he even remembers why we got into this war in the first place: if he wanted control of Iraqi oil, he’s pretty clearly bungled any hope of that, and nothing in the current course is going to make the situation any better. If it was all about his ego, then that’s a lost cause.
My only problem with the Rich line (other than the fact that you can’t get it on the Times Web site without registering and subscribing, which is pretty damn stupid for the nation’s paper of record) is that it assumes Bush actually had a grip on reality in the first place.
I remember way back in the early days of the presidency of Ronald Reagan reading a piece by Carl Bernstein in the Washington Monthly that said something considered heresy in the nation’s capital: Reagan, he wrote, really wasn’t terribly intelligent and didn’t know what was going on half the time. Agree with his policies or disagree, it was a bit alarming to have someone in the White House who was really a pretty dim bulb (and thus was easily manipulated by the people around him — even before the Alzheimer’s hit).
Even today there’s this sense of respect and decorum in Washington that prevents people from just coming out and saying it: the president really doesn’t know what he’s doing.
Consider the other fascinating Bush item from the past week, his interaction with senator-elect Jim Webb, whose son is a Marine in Iraq. Bush (like an idiot) asked Webb, an outspoken war critic, “How’s your boy?” Webb responded appropriately: “I’d like to get them out of Iraq.” Bush’s lashback: “That’s not what I asked.”
Well, yes, it was what he asked. And the father of a kid who is risking his life for Bush’s insanity answered the same way a lot of fathers would: honestly. Somehow, in Washington, this is a big deal.
Hey: 2,900 US soldiers are dead. Time to get over the protocol.

No pass for Newsom

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EDITORIAL Mayor Gavin Newsom may tell the media that he’s not sure he wants his job anymore, but the reality is that he’s been running for reelection for months. His campaign team is in place, the fundraising is about to kick into high gear, and when 2007 dawns Newsom will start to line up endorsements, put money in the bank, and do everything possible to clear the field. That’s not just a campaign consultant’s fantasy: right now there’s no clear, obvious opponent for a mayor whose poll ratings are almost unimaginably high.
But Newsom can’t be allowed to run without any credible opponent. Somebody has to challenge Newsom — and it’s not as impossible as it might seem.
As Steven T. Jones reports (“Blood in the Water,” page 12), Newsom’s popularity is broad but not terribly deep. He’s got a lot of feel-good political capital that dates back to the same-sex marriage days, but there are a lot of really serious problems facing the city — and when you get right down to it, Newsom hasn’t done a hell of a lot to address any of them. For the past year San Francisco politics and public policy have been driven by the Board of Supervisors, with the mayor reacting. Other than cutting welfare payments for homeless people, it’s hard to think of a single major local initiative that the mayor has taken on. He certainly hasn’t ended homelessness. He hasn’t brought down the violent crime level. He hasn’t improved Muni. He hasn’t done much to create jobs and clearly hasn’t made the city a better place for small locally owned independent businesses.
He’s letting developers call the shots at the Planning Department, letting landlords drive housing policy, following the lead of some very bad actors downtown on education, and letting the city’s structural budget problems fester.
In 2003, Newsom was a strong front-runner from day one and beat back a dramatic challenge from Matt Gonzalez, in part because he had so much money. This time around, money may not be the deciding factor: with public financing in place, a candidate who can raise a respectable sum (a few hundred thousand, not a few million) will be able to mount a competitive effort. And with ranked-choice voting (RCV), several candidates challenging Newsom from different perspectives might leave the mayor unable to pull together a clear majority. (If RCV had been in place in 2003, it’s entirely possible, if not likely, that Gonzalez would have been elected mayor.)
The list of people who have either talked about running or are being pushed by one interest group or another is long, and some of the strongest potential challengers seem to be biding their time. It’s true that the filing deadline isn’t until August, and in both 1999 and 2003 late entrants in the progressive camp made the best showings.
Still, if Newsom has the field to himself all spring and summer and nobody challenges his statements, questions his record, or offers people an alternative, the incumbent will try to anoint himself as the inevitable winner.
So at the very least, progressives need to make sure the mayor isn’t allowed to coast this spring. The supervisors need to keep pushing issues like police reform. They need to make sure the budget hearings point up the mayor’s real priorities. And elected officials and civic activists should hold off on endorsing Newsom by default, unless and until he presents some evidence that he’s going to do a lot better in the next four years than he’s done in this term.

Wholly noise

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Trying to fathom the arcane and somewhat frustrating demeanor that shrouds a Bay Area noisenik is like cross-examining Walt Disney on LSD. I’ve been at the mercy of Rubber O Cement’s Bonnie Banks for the past week, meticulously querying the mumbo jumbo he (or she, as Banks likes to be referred to) sends in response to interview questions while nagging him for answers to my more dogged inquiries. One e-mail reply might yield a pensive thought, only to be followed by a farrago of chaotic imagery — swarms of schizo babble about vocal chord mulch, mosquito broccoli, and rabid zombie snowmen. When asked what people can expect from the impending Brutal Sound Effects Festival, Banks answers that performers “will present the sound of a stuffed horse and cat calliope skidded via hydroplane base into a volcano of semi-liquid thorium pellets.” In another e-mail he writes that he hopes people will come to the event “adorning their larger-than-life scramble nightmare Bosch slip-and-slide mask.”
Though put off at first by Banks’s excursive, seemingly psychotomimetic rants, I soon realize this is his world. What I mistook as some puerile screwball who’s simply fucking with me — I’m still convinced he’s doing that to a degree — is actually the eccentric, visionary heart of the Bay Area noise scene.
Since the early 1980s, Banks has exhaustively chiseled San Francisco into the West Coast hub for underground noise by playing in prominent acts such as Caroliner, bringing up young bands (his musical influence has extended from Wolf Eyes to Deerhoof), and encouraging others to engage in the scene. In 1995 he established the Brutal Sound Effects Festival — a musical community of misfits who, according to Hans Grusel of Hans Grusel’s Krankenkabinet, “didn’t fit in anywhere else.” Shortly afterward, Banks founded an online BSFX message board where people could discuss noise acts, events, and other bizarre topics.
Now in its 40th incarnation — Banks is said to organize four to five events a year — the forthcoming BSFX Festival includes some of the Bay Area’s renowned noise addicts: Xome provides power noise onslaughts, and Nautical Almanac’s James “Twig” Harper indulges in electronic cannibalism. Other notable acts include Anti Ear and Bran (…) pos of Beandip Troubadours, Skozey Fetisch, and Joseph Hammer of the Los Angeles Free Music Society in Psicologicos Trama, offering “a fun way to sample experimental sound,” says Joel Shepard, film curator at Yerba Buena Center for the Arts, which is hosting the event for the first time. Each act will integrate improvised film and video clips into a short performance, creating what Shepard describes as “a real multimedia sensory overload event.” If something seems boring, he adds, there will be another performance in minutes.
“I’ve been really impressed with what he’s been doing,” Shepard says, referring to the industrious Banks. “I find what he’s doing to be a very important part of the art and cultural scene in San Francisco, and I want to show my support.”
The freaks and geeks of BSFX push performance art to its limits, playing under unpronounceable aliases and often incorporating elaborate costumes and scenery unlike anything you see at conventional concerts. Musicians execute a medley of odd sounds using home-wired equipment and analog gadgets at warehouses like the Clit Stop and Pubis Noir. Blistering resonance is one element at these shows. Relying heavily on feedback and distortion, artists such as Xome, Randy Yau, and Tralphaz create a getting-sucked-through-a-vacuum effect by hooking up 20 guitar pedals and feeding them into each other. But don’t be fooled — not all noise acts use volume as an instrument. The Spider Compass Good Crime Band, a duo that will play the upcoming BSFX show, is described by its members as “giant vultures who play instrumental music based around a keyboard.” Their YouTube video is just as outlandish: two costumed performers (one dressed as a giraffelike character, the other as a flamingo) dance and fiddle with samplers; the chamber-driven organs and rubber-sounding belches resemble industrial surf pop.
It’s easy to get sucked into the abstract, visual noise. Costumes range from the cuckoo-clock masks of Hans Grusel to the moss-covered floor crouching of Ecomorti. “Some performers will move an entire set of scenery into a show, which takes two to three hours to set up, and then play a 15-minute set,” Grusel says over the phone. “That shows the dedication people have to this sort of thing.”<\!s>SFBG
BRUTAL SOUND EFFECTS FESTIVAL
Fri/8, 7:30 p.m.
Yerba Buena Center for the Arts
701 Mission, SF
$6–<\d>$8
(415) 978-2787
www.ybca.org

The Lowell lessons

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EDITORIAL When someone — quite possibly a faculty member or administrator — poured pink paint on a gay teacher’s computer at Lowell High School and left a racist, homophobic note, the administration tried to keep it quiet. Teachers say they were told not to discuss the hate crime with students. Other than a tiny notice in the San Francisco Chronicle — and whatever rumors may have been swirling around campus — the students at the city’s premier public high school had no idea what was going on.
That was terrible judgment on the part of the interim principal, Amy Hansen. When this sort of thing happens on a school campus — particularly a school like Lowell in a city like San Francisco — the administration should immediately go public, make an announcement to faculty, students, parents, and the larger school community, arrange for discussions in smaller groups, and make it clear that intolerance won’t be tolerated.
Instead, the incident was allowed to fester — until the student paper, the Lowell, defied administration wishes and did a story.
The report was fair and accurate, and it gave everyone on campus some insight into what had happened.
The hate crime report was one of several scoops that got the students in hot water this year. Earlier, a Lowell reporter had learned the identity of a student who slashed a teacher’s tires and reported why the student did it — but refused to reveal the offender’s name to the administration. Reporters, the student journos said, are not agents of the police, and they have every legal and ethical right to protect confidential sources.
Hansen was unhappy about those stories (and several others) and required the Lowell’s staffers to meet with her while she expounded on ethics. Fortunately, neither the Lowell staff nor their faculty advisers backed down an inch.
There are two important lessons here. The first is that student journalists have the same rights as professionals and that school administrators ought to respect those rights and not try to intimidate the campus press.
The other is that student newspapers are an essential part of any high school community.
In the past few years, with money short all over, the San Francisco Unified School District has taken a lackadaisical attitude toward campus papers. Today only eight of the city’s 21 high schools have active papers. The hate crime incident at Lowell demonstrates exactly why that’s unacceptable.
Student papers are obviously a wonderful teaching tool. They get kids to think about writing in a different way; they open up opportunities and stimulate debate. But they also serve a community purpose: the students know (often better than anyone else) what’s really going on in a high school and with proper support and guidance can hold administrators and teachers accountable, prevent the spread of misinformation and rumor, and make the school a better place.
Student papers don’t have to be expensive items. Printing isn’t free, but with a bit of prodding, we suspect the dailies in town might be willing to do the work at a steep discount. And Web publishing is practically free. Giving one teacher the time to serve as an adviser isn’t going to break anyone’s budget.
The school board ought to establish a policy that every local high school have a functioning campus newspaper — and ought to tell the administrators to refrain from trying to censor the student press.

Guardian Guide: Hotspots for fresh crab

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As winter rolls into the Bay Area, a happy tradition takes hold: Crab fever! Dungeness crabs have been flooding Fisherman’s wharf longer than the tourists have and this December is no exception. Just like all things inherently San Franciscan, there’s a flavor for every palette. Whether you like it plain, Vietnamese, Italian, Cajun or Californian, like it you will. Check out some of our picks for fresh Dungeness delight.

PPQ Dungeness Island Vietnamese Cuisine

Moderate prices and a casual atmosphere keep crab lovers focused on what’s important, the house specialty — whole garlic roasted crab. For variety you can also try the peppercorn crab. Either way the complementary plastic bib is right, “It’s time to get crackin!”
2332 Clement, SF; 415- 386-8266, www.ppqdungeness.com
Lunch: Wed-Mon 11am-5pm
Dinner: Wed-Mon 5pm-10pm
Closed Tuesdays

R & G Lounge

Located just outside of San Francisco’s historic Chinatown, R&G Lounge provides Cantonese style crab for all occasions. If you’re dressed to impress or looking for a good place for a business meal, the upstairs area provides crab lovers with a fine dining atmosphere. The casual downstairs area is perfect if you’re with the kids or just looking to relax with friends. No matter where you sit the live battered crab, deep-fried and sprinkled with salt and pepper, is delicious. Reservations recommended. Parking validated.
631 Kearny, SF; 415- 982-7877; www.rnglounge.com/
Open 7 days, 11am-9:30pm

Hayes Street Grill

When the chef makes a daily morning call to the fish man to find out what looks good that day and bases the daily menu on the report, you know this is a must-eat destination during crab season. The Hayes Street Grill is centrally located in Civic Center near the Performing Arts Center, the Opera House, and Davies Symphony Hall. On performance nights, if you don’t want to sit at the bar, reservations are essential. On non-performance nights reservations are recommended, but walk-ins are also welcome. This season’s special: Cracked half Dungeness crab with aioli, avocado, and dirty girl (pink and white) beet salad. Prices are reasonable, especially considering other nearby options.
320 Hayes, SF; 415-863-5545, www.hayesstreetgrill.com
Lunch: Mon–Fri 11:30 am-2 pm.
Dinner: Mon-Thu 5pm-9:30 pm, Fri 5pm-10:30pm, Sat 5:30pm-10:30 pm, Sun 5pm-8:30 pm.

Swan Oyster Depot

For those of us looking for no-frills fresh Dungeness crab, Swan Oyster Depot has our lemon waiting. The season’s specialties are Crab Louie, crab cocktail and ½ cracked crab. Arrive early and wait your turn to cozy up with other restaurant-goers at the long, narrow marble bar. Don’t worry, the owners are friendly, the staff entertaining and your neighbors are ready to meet you. If you want to skip the social gathering and take the Dungeness party home, Swan Oyster Depot is also a market with competitive prices and fresh seafood.
Nob Hill, 1517 Polk, SF; 415-673-1101
Mon-Sat 8am-5:30pm
Closed Sundays

Thanh Long

Thanh Long was founded by the An family in the ‘70s as one of San Francisco’s first Vietnamese restaurants. It has since evolved into right of passage for high-end crab loving adventurers, who are not afraid of a commute to the Outer Sunset. The garlic roast crab is the house specialty, composed of a fresh roasted Dungeness Crab, An’s garlic sauce and secret spices.
4101 Judah, SF; 415-665-1146, www.anfamily.com
Tue-Sun 4:30pm-10pm, Fri-Sat 4:30pm-11pm
Closed Mondays

Crustacean

If you’re in the mood for a dressed up crab night, Crustacean supplies chic décor and Euro- Vietnamese fusion. One of the two sister restaurants to bud from Thanh Long, Crustacean offers all the secretly prepared house specialties of its predecessor, but includes dishes with more European influences. These long kept family secrets are well guarded at Crustacean; there is a separate kitchen that only family members are allowed to enter from which waiters receive the food through a slot. If you’re not curious yet, you will be after your first taste. Valet parking.
1475 Polk Street, 415.776.2722
Lunch: Fri-Sun 11:30am–3:30 pm
Dinner: Sun-Thu 5pm-9:30 pm, Fri-Sat 5pm-10:30pm

Scoma’s Fisherman’s Wharf

Located in the hub of fisherman’s wharf, Scoma’s offers a thorough Dungeness crab experience for both tourist and native alike. Using their mother’s recipe collection, the Scoma brothers founded this Italian style seafood restaurant 40 years ago. What started as a breakfast and burger spot for fishermen has since turned into a 350-seat family restaurant, equipped to satisfy every seafood lover’s need. Scoma’s even has its own fish receiving station where you can watch the Dungeness crab being loaded off the boats and into the kitchen. Recommended this crab season are the crab leg sautee and the Crab Louis. Portions are large enough to justify the prices, and some of mom’s recipes are available online, which is better than a doggie bag.
Pier 41 Al Scoma Way, SF; 415-771-4383 www.scomas.com
Sun-Thu 11:30am-10pm, Fri-Sat 11:30am-10:30 pm

Eagle Café

No matter what the time of day this crab season, the Eagle Café is a great place to casually enjoy the view off Pier 39. If you’re a (crabby) morning person, try their a Dungeness crab omlette or the Crab Cake Benedict for breakfast. You can even wash it down with a Crabby Mary, a Dungeness Bloody Mary that comes with a straw, a fork and crackers. For a post-sunset visit, try their signature WOW crab sautéed with ginger, garlic, scallions and oyster sauce. For the basics, a cold Dungeness is served half or whole with freshly grated horseradish.
Pier 39, SF ; 415-433-3689, www.eaglecafe.com
Open 7 days, 7:30am-8pm
Bar open until 10am

Andrew Jaeger’s House of Seafood and Jazz

For three generations the Jaeger family served up authentic Cajun and Creole fresh local seafood in New Orleans to the tune of nightly jazz music. A year ago, Chef Andrew Jaeger decided to bring the Jaeger tradition to North Beach. With live jazz every night starting at 7:30pm and fresh Cajun/Creole Dungeness crab specials, Jaeger’s truly has something to offer that you can’t get anywhere else in North Beach – and, at present, anywhere in the country. The original restaurant is currently closed due to the events following Hurricane Katrina. So if you love jazz, or just like jazz but love crab, try the Crab-o-rama (crab cakes AND a half a crab) or the BBQ crab. If you’re local (SF and Bay area residents included), sign up for a Jaeger card and receive 25% off drinks by the glass, get pre-fix specials round the clock and free admission on weekends to the bar for you and all your guests, which is usually
300 Columbus, SF; 415-781-8222, www.condorsf.com
$3-5.
Mon-Thu 5:30pm-after midnight, Fri 5:30pm-2am, Sat-Sun 2pm-2am